-
Period: 1397 to 1474
Dufay
Guillaume Du Fay was one of the first, most important, composers of the Renaissance period. He used older medieval cadences. His last name could also be spelled Dufay. -
1400
Invention - Printing
Johan Gutenberg of Germany invented a printing press using moveable type. -
Period: 1400 to 1460
Binchois
Gilles Binchois served at the Court of the Duke of Burgundy. He was often paired with Dufay. Gilles was just as important as Dufay. -
1430
Tonality systems
The types of scales found during the Renaissance period were major and minor. -
1430
Stylistic traits
The melodies of Renaissance music were for the most part flowing and melismatic in nature. Wider leaps were used to express the text. -
1430
Stylistic Trait
Harmony in the Renaissance began to focus on progressions of 3rds and 6ths. Chordal textures were introduced during this period. -
Period: 1430 to
The Renaissance Era
There were many melodies during the Renaissance. Many of which were very obscured. Secular music became popular during this time. -
Period: 1435 to 1511
Tinctoris
Johannes Tinctoris : Franco-Flemish theorist, singer, composer, and instrumentalist. -
Period: 1445 to 1518
Compere
Loyset Compere: Franco-Flemish composer, singer; worked in France and Italy; perhaps one of the earliest composers to use imitation prominently . -
Period: 1450 to 1521
Prez
Josquin des Prez: Martin Luther said that Josquin was the " best composer of our time". He was said to have had no peer in music. -
1500
Mass genre
Renaissances masses were typically written for three to six voices. Masses were multi-movement polyphonic works for voices alone. -
1500
Motet genre
The Remaissance motet typically suggested a Latin, vocal work of religious nature for a cappella choir. This genre is very complex. -
1500
Invention - Water clocks
Water clocks and hourglasses were widely used. -
1505
Invention - Watch
The portable watch was invented by German Peter Henlein. -
1520
Madrigal Spirituale genre
The madrigals of the 16th century emerged between the 1520's and 1530's. These madrigals were originally set polyphonically and homorhythmically for four voices to a text consisting of one stanza of poetry in a free rhyme scheme.