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700 BCE
Greek
Brief Overview: Most commonly performed in amphitheaters, actors wore masks, often had a small cast.
Playwrights: Euripides, Sophocles, Thespis
Conventions: tragedy or comedy, used masks, cast consisted of a chorus and 3 actors -
1545
Commedia Dell’arte
Brief Overview: Often used improvised dialogue, colourful stock characters, emerged in Northern Italy then spread through Europe.
Playwrights: Andrea Calmo, Angelo Beolco
Conventions: Half masks, stock characters, lazzi -
1560
Shakespeare/Elizabethan
Brief Overview: This was a time of artistic explosion, theatre, literature and poetry appreciation and national expansion
Playwrights: William Shakespeare, Christopher Marlowe, Ben Jonson.
Conventions: Old language, soliloquies, asides, gender swapping roles, eavesdropping. -
Melodrama
Overview: originated in France in the 18th century. Playwrights: Douglas William Jerrold, Wilson Barrett
Conventions: stock characters, good winning over the evil characters, sensationalized plots. -
Realism
Overview: Plots were detailed and realistic and found more enjoyable by the audience
Playwrights: Henry Ibsen, Charles Dickens, William Dean Howells
Conventions: recognisable settings, colloquial language, contemporary work -
Expressionism
Overview: used so playwriters can express their own views on societies flaws.
Playwrights: Augusto Boal, Dario Fo and Bertolo Brecht
Conventions: vermfremdungs effect (strobe lighting, random music breaks, mechanic voices), placards, humor.