callietysdal_islamicart

By ctysdal
  • 570

    Birth of Muhammad

    The Prophet was born in Mecca, in the Hejaz region. By 610 he has recieved his first vision. By 632 the relegion had spread quickly. By this time his followers had control of Mecca, Medina, and much of Arabia
  • Nov 1, 630

    Ka'ba

    Ka'ba
    The Ka'ba, situated at the center of the al-Harram Mosque in Mecca, is the literal center of the Islamic world. It is the quibla or the direction Muslims must face for prayer. The Ka'ba itself is a 15 foot square cube of granite with space inside. The outside is a simple form of ornamentation consisting of simple gold inscriptions from the Koran.
  • Nov 1, 656

    Caliph Uthman is assasinated

    This violent act was the frst of many in the struggle to assume the caliphate. (Ali would be assasinated in 661.) This event ultimately led to the schism of Islam into the Sunni and Shia sects
  • Period: Nov 1, 661 to Nov 1, 750

    Syrian Umayyad Dynasty

    Hillenbrand pg 12
  • Nov 1, 700

    Ctesiphon

    Ctesiphon
    In existence long before the 700s, this ancient city was contructed in the Parthian Empire in the first century BCE.Its importance to Islamic architecture and design came much later when the Islamic capital was moved to Bagdad. It had a great impact on the architectural aesthetic of the Islamic visual tradition, even though it was not contemporary to the Rise of Islam
  • Nov 1, 705

    The Great Mosque of Damascus

    The Great Mosque of Damascus
    Built on the sight of a pre-Islam Christian basilica, the Great Mosque is rectangular in layout, a plan that would be emulated throughout the kingdom of Islam for centruries to come. It is one of the oldest and holiest Mosques in Islam created by the Ummayad dynasty.
  • Nov 1, 750

    Abbasids transfer caliphate to Bagdad

    After the Umayyads were defeated by what were soon to b the Abbasids, the seat of power was moved from Damascus to Bagdad. Bagdad was a short distance from the ancient ruins of the Sasanian capital of Ctesiphon. This would impact the art in aesthetic ways as the culture came into contact with artistic norms from the past.
  • Period: Nov 1, 756 to Nov 1, 1031

    Spanish Ummayad Dynasty

    Irwin
  • Nov 1, 771

    Islam enters Spain

    Umayad survivor Abd al-Rahman escapes persecution to begin a new life in Spain. Cordoba became to capitol of Islamic Europe bringing both the religion and its culture into contact with the west. Islamic art and architecture would take on more western characteristics as the Muslims and the Christians struggled over religious spaces and power.
  • Period: Nov 1, 1038 to Nov 1, 1194

    Saljuq Dynasty

    Irwin
  • Nov 1, 1050

    Fatimid carved rock crystal ewer

    Fatimid carved rock crystal ewer
    These immensely valuable object shows the opulence court life of the Fatimid Dynasty. Rock crystal was both prolific and elegant as a representation of this cultural revival. Stylized plant carvings recall earlier imagery from the Abbasid dynasty.
  • Period: Nov 1, 1056 to Nov 1, 1147

    Almovarid Dynasty

    Irwin
  • Nov 1, 1100

    Saljuq mena'i ware

    Saljuq mena'i ware
    Detailed figures, arabesques, and a polychromatic color scheme are found on the inside of the bowl make the piece mena'i. Mena'i ware refers to the ornamentation style that mimics illumination techniques. These design elements would have been contemporary with a Seljuq shift towards adopting regional visual culture traditions.
  • Nov 1, 1125

    Al-Aqmar Mosque

    Al-Aqmar Mosque
    Also known as the Moonlit Mosque, this mosque recalls earlier architecture from the Fatimid period, though its muqarnas are more emphasised. This has been attributd to the design principles of the young al-Amir and his vizier. It is also inmortant because it was one of the first mosques to have its facade aline with the street, not in the direction of Mecca. (though the quibla wall was indeed correctly aimed towards Mecca.)
  • Period: Nov 1, 1130 to Nov 1, 1269

    Almohad Dynasty

    Irwin
  • Nov 1, 1137

    Kutubiyya Mosque

    Kutubiyya Mosque
    This mosque, situated in the Almovarid capital of Marrakesh, holds an important minibar,designed by al-Hajj Ya'ish. This minibar is reknown for its triangluar beauty and inclusion of sandalwood, ebony, ivory, and silver. This shows that even though the Almovarid dynasty initally rejected decadent culture, it ultimately excelled at it.
  • Nov 1, 1150

    Cursive Calligraphy

    Calligraphers begin experimenting with cursive script in Eastern Islam. This allowed for faster copying of texts. It also changed the relationship between text and ornament. Text was now much more emotive and expressional and could easily blend in with the ornament.
  • Nov 1, 1210

    Pen Box

    Pen Box
    This shazi pen box shows the inovation of the Saljuq period. Thi Repousse technique is uses to create a more expressive script that terminates as representational animal and human figures. This shows a growing interest in astrology as the dynasty was adopting interests in astrology from the Turks.
  • Period: Nov 1, 1217 to Nov 1, 1465

    Marinid Dynasty

  • Period: Nov 1, 1232 to Nov 1, 1492

    Nasrid Dynasty

  • Period: Nov 1, 1250 to Nov 1, 1517

    Mamluk Dynasty

    Irwin
  • Period: Nov 1, 1256 to Nov 1, 1353

    Ilkhanid Dynasty

  • Nov 1, 1258

    Sack of Bagdad

    This event marked the end of a universal Muslim world. It becomes customary to patronize works of fiction in the book arts.
  • Period: Nov 1, 1281 to

    Ottoman Dynasty

  • Nov 1, 1304

    Baybar II’s Koran

    Baybar II’s Koran
    This Koran excerpt shows the importance of medival book arts and illumination in the Mamluk period. The more emotive naski script allowed for a flowing aesthetic that stressed beauty over accessiblity and legibility. The focus of this manuscript was to show wealth on a portable surface, not to function as an actual text.
  • Nov 1, 1342

    Mamluk mosque lamp

    Mamluk mosque lamp
    This blown glass lamp shows the Mamluk aesthetic as it returned to a more simplified and repetetive ornamentation style.
  • Nov 1, 1350

    Persian Fritware

    Persian Fritware
    This example of Iranian fritware shows the phenomenon of importing visual culture from other areas into Islamic art. The pheonix, a traditional chinese symbol, is shown on a bowl that seems to be in imitation of chinese porcelain decoration.
  • Nov 1, 1350

    Great Mongol Shahnamah

    Great Mongol Shahnamah
    This illuminated page shows a departure from religious subject matter into a more secular, narrative text. This ilkahnid illumination innovatively allows for the pictoral elements to bleed into the previously regulated text space. It also draws on chinese visual culture and representational techniques.
  • Period: Nov 1, 1370 to Nov 1, 1506

    Timurid Dynasty

    Irwin
  • Nov 2, 1380

    Timur conquers Herat

    Herat, no stranger to being conquered, became capitol of the Timirud empire for over 100 years. At its height it was the site of rigorous patronage and developed court life of the Timiruds.
  • Nov 1, 1417

    Ulugh Beg Madrasa

    Ulugh Beg Madrasa
    This Timurid creation brought about a centralization of intellectual thought and life o the region. It was part of a larger urban project around Registan Square in which monumental mosques, caravanserai, and bazaars were constructed. This interior view shows the high court style that the Timurids adopted from the Persians.
  • Nov 1, 1440

    Shahnameh made for Mohammad Juki

    Shahnameh made for Mohammad Juki
    This manuscript was made for a Timirud noble. It combines many different styles, from as far away as China. It aslo shows figures with a different ethnic look than previous traditions. Though the Timiruds assumed Persian culture, they were of a turko-mongol origin.
  • Nov 2, 1492

    Al-Andalus is lost to Ferdinand and Isabelle

    After centuries of conflict, the sultan Muhhamed XII surrenders to the Christian conquerors. The Moors are expelled from Spain, which becomes a relatively unified, Catholic country.
  • Period: Nov 1, 1501 to

    Safavid Dynasy

    Irwin
  • Nov 2, 1520

    Suleiman the Magnificent comes to power

    Known as the longest reigning Ottoman Sultan, Suleiman instituted massive architectural projects. He ushered in the golden age of Ottoman visual culture by renovating the Dome of the Rock and the Topkapi Palace
  • Period: Nov 1, 1526 to

    Mughal Dynasty

    Irwin
  • Nov 1, 1548

    Suleymaniye Complex

    Suleymaniye Complex
    This Ottoman Complex was constructed by Suleyman the Magnificent. The complex mosque combines the Islamic visual culture with the Byzantine traditions fostered in monuments like the Hagia Sophia. The rest of the complex speaks to the Ottoman traditional of combining both religious and social services within the same space. This way, Suleyman could be both the benevolent benefactor and charitable Muslim.
  • Nov 1, 1550

    The Emperor’s Carpet

    The Emperor’s Carpet
    This textile is thought to be a product of Herat, a cultural capitol of the Safavid realm. Its rich colors paired with figural and ornamental decoration show the culture's courtly culture. It also references illumination and chinese illustration traditions in its ornamenation style.
  • Nov 2, 1556

    Akbar comes to power

    At the young age of 13, Akbar became the third Mughal emperor. His reign was characterized by a tollerant outlook that allower for religious freedom and artistic creativity. He established the Mughal School which ushered in the golden age of Mughal visual culture, which combined influences from Buddhist, Hindu, and European traditions into a new style of illumination.
  • Nov 1, 1575

    Iznik tile

    Iznik tile
    Iznik fritware and tilework came about as the Ottoman empire began adapting Chinese visual culture into their own visual traditions. The color palate and themes of east asia were combined with Islamic Arabesques to create a new sytle of artwork. Iznik tile was also a cheaper and more efficient alternative to mosiacs when it came to mosque and monument ornamentation.
  • Page from Harivamsa

    Page from Harivamsa
    This islamic illuminated secular text displays the intimate connection of the Persian Islamic world with the cultural identity of India. Indian characters and styles merge with a Persian translation of the text. Though Akbar (the patron of these works) was Muslim, he was very tollerant of other religions.
  • Ali Qapu

    Ali Qapu
    This Saffavid creation was constructed by Shah Abbas. It shows the power of the royal family. This structure is not religious by nature but rather speaks to a more courtly function. Its seemingly gravity defying veranda allowed the Shah to watch over the square and all activites that took place there. It also symbolizes the power held by the Saffavid dynasty at the time
  • Taj Mahal

    Taj Mahal
    Built by the Mughal emporor Shah Jahan, this mosoleum was constructed out of honor for his late wife. This monument is the epitome of Mughal architecture as it draws upon Persian, Timurid, and early mughal architecure in accordance with the Mugal penchant for incorperation. The use of white marble shows a refinement hitherto unseen in Mughal architecture.
  • Mumtaz Mahal dies

    The tragid death of Shan Jahan's wife in childbirth left him grief stricken. In an effort to memorialize her, he began constructing the Taj Mahal as a monument and tomb.
  • Abbasid Bowl

    Abbasid Bowl
    This bowl shows a polychrome style representative of the Abbasid caliphate and their interest in the portable arts. The ornamentation shows a disregard for the circular shape of the bowl which is also quite common in this culture and time period.
  • Samarra Bowl

    Samarra Bowl
    This earthenware is a bowl with gold luster painting. This luster technique consisted of a double firing technique in which the bowl was first fired with a white slip then fired again at a lower temperature with a different glaze that took on the appearance of gold. The style is also characteristic of Samarra with its bevelled imagery.
  • Kufic Script (Abbasid Koran)

    Kufic Script (Abbasid Koran)
    This page of Koranic writing shows the importance of caligraphy to Islamic visual culture. The kufic script highlights a rather early period in Islamic culture and is characterized by clean lines and legibility. Simple ornamentation is included (such as the gold discs) to denote daily readings.
  • Dome of the Rock

    Dome of the Rock
    This monument was constructed to commemorate Muhhamed's night journey to heaven. Its layout draws on the Byzantine tradition that precluded Islam. Its outside is decorated with Iznik tilework dating back to the reign of Suleiman the Magnificent (many centuries after its Ummayad construction) . The inner dome ornamentation was also financed by Suleiman and is an opulent combination of Koranic verses, marble, and faience.
  • Great Mosque of Cordoba

    Great Mosque of Cordoba
    This mosque is most known for its hypostyle hall, comprised of 856 columns. These columns meet in red and white voussoirs. Initially a shared Christian and Islamic religious space, it was soley a mosque until the city was captured by Ferdinand of Spain and the space was converted into a Catholic cathedral.
  • Period: to Nov 1, 1258

    Abbasid Dynasty

    Irwin
  • Period: to Nov 1, 1171

    Fatimid Dynasty