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Working Model for Reclining Figure: Festival 1950
Working Model for Reclining Figure: Festival 1950
Henry Moore
1950
Bronze -
Period: to
1950 to Present
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Lord of the Flies
Lord of the Flies
William Golding
1954 Human nature via young boys marooned on an island. -
Rabbit Run
Rabbit Run
John Updike
12 November 1960 "I warned you, he says, I warned you, Harry, but youth is deaf. Youth is careless.”
― John Updike, Rabbit, Run
The quintessential postmodern book -
The Winter of Our Discontent
The Winter of Our Discontent
John Steinbeck
1961 -
Space Needle
Space Needle
1961
Edward E. Carlson -
Boston Cremes
Boston Cremes
Wayne Thiebaud
1962
Oil on canvas -
Night Creatures
Night Creatures
Lee Krasner
1965
Acrylic on paper Abstract Expressionism
Breaking away from accepted conventions in both technique and subject matter, the artists made monumentally scaled works that stood as reflections of their individual psyches—and in doing so, attempted to tap into universal inner sources. -
The Good, the Bad, and the Ugly (Theme Song)
Ennio Morricone
Song and Film released 1966 https://youtu.be/AFa1-kciCb4 -
One Hundred Years of Solitude
One Hundred Years of Solitude
Gabiriel Garcia Marquez
1967 "Though concocted of quirks, ancient mysteries, family secrets and peculiar contradictions, it makes sense and gives pleasure in dozens of immediate ways."
- NY Times reviewer, Robert Kiely
8 March 1970 -
Stately Pines on Mount Hua
Stately Pines on Mount Hua
Shi-Lu
Hanging scroll, ink on paper The theme of Shi's poem is the perseverance in adversity of noble spirits: I love the pines of Mount Hua,
Tall, noble, solemn, and dignified.
Their thrusting trunks vie with the sun and the moon.
Resisting cold winds through the years,
They shake their arms at the sky-scraping ridge
And hold high their heads, like striding blue dragons.
They support the clouds forever,
Without taking flight to the heavens. -
Untitled
Keith Haring
Untitled
Sumi ink on paper -
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Ken Moody and Robert Sherman
Ken Moody and Robert Sherman
1984
Gelatin silver print -
Somewhere Over the Rainbow
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Christmas Eve/Sarajevo 12/24
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Guggenheim Museum Bilbao
Guggenheim Museum Bilbao
Frank Ghery
1997 -
Vase with blue glaze with gradated shades
Vase with blue glaze with gradated shades
Miyashita Zenji
2001 Miyashita employs the traditional Japanese ceramic technique of saidei, in which layer upon layer of different colored clays are applied to create a striated appearance. It is at once abstractly geometric and naturalistic, suggesting rugged mountain peaks and valleys in its richly patterned surface. -
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“The Gypsy Magna–Pictures of Garbage”
Vik Muniz
2010
Photograph of garbage portrait
Filmed over nearly three years, the WASTE LAND portrait project takes place in the world's largest garbage dump, Jardim Gramacho, located on the outskirts of Rio de Janeiro. -
Heydar Aliyev Center
Heydar Aliyev Center
Zaha Hadid
2012
Glass, steel, and concrete
Located in Baku, Azerbaijan "The Center, designed to become the primary building for the nation’s cultural programs, breaks from the rigid and often monumental Soviet architecture that is so prevalent in Baku, aspiring instead to express the sensibilities of Azeri culture and the optimism of a nation that looks to the future." (Hadid) -
Basket
Basket
Dale Chihuly
2013
glass Chihuly's interpretation of a basket. -
Blood Swept Lands and Seas of Red
Blood Swept Lands and Seas of Red
Paul Cummins and Tom Piper
2014
Ceramic installation in the moat of the Tower of London Poppies were place in the ground by volunteers, beiginning in July, and completed in August.
This installation is a World War I memorial and commemorates the 888,246 British killed in the war. -
Coiled Sculpture
Coiled Sculpture
Ferri Farahmandi
2008
ceramic This artist examines ideas such as freedom and boundaries. -
Night Creature
Night Creatures
1965
Lee Krasner (
Acrylic on paper
Abstract Expressionism
Breaking away from accepted conventions in both technique and subject matter, the artists made monumentally scaled works that stood as reflections of their individual psyches—and in doing so, attempted to tap into universal inner sources.