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1800 TO 1810
The fashion canvas of the 18th century changed radically as the 19th century began and simpler, lighter brushstrokes were applied. Fashion in the first two decades mimicked classical Grecian drapery with its fluid lines. Bodices were minimal, cut to end under the bust thereby achieving a high waist that defined the silhouette. Predominately necklines were low. Sleeves could be long or short. -
1810 to 1820
From 1810 to 1820 dresses became slightly more structured with padded hems and firmer fabrics, such as twills and even some taffeta. Soft colors returned to fashion after a 10-year absence. Sleeves began to grow fuller at the shoulder and high waists endured throughout this period but lowered slightly as the years went by. Image Skirt hems widened ever so slightly. Fabric trimmings (often in the same fabric as the dress) were used extensively. -
1830 TO 1840
In the 1830s, the first cross cut Gigot or leg o’ mutton sleeves appeared. The previous shoulder fullness dropped toward the elbow and sleeves became enormous. The waist resumed its natural position while necklines became very wide and bodice lines took on a highly distinctive V-shape. Ankle length skirts became quite full and needed several petticoats beneath for support. This produced the 19th century’s first version of an hourglass silhouette. -
1820 to 1830
As the Romantic era arrived, clothing became more complex and increasingly structured. The previous design simplicity was replaced with decorative excess. Horizontal hem treatments added focus to skirts. Wide lapels created shoulder emphasis and the sleeves and shoulders were further emphasized with extended wings. Surface ornamentation, color and print positively abounded. Three- dimensional effects in trimmings were achieved with padding. -
1840 To 1850
The Gothic era arrived on the scene and fashion lines wilted into drooping ringlets and dragging skirts. Sleeves lost their fullness and became fitted; shoulders were extended below their natural line and skirt hems lowered to the floor. Generally necklines were worn high during the day and wide in the evening. The skirt became very domed in silhouette, requiring yet more petticoats to achieve the desired shape. -
1850 TO 1860
By 1855, the cage crinoline or hoop had swayed on to the scene and skirts expanded to their maximum size. Women were delighted to wear the cage as it provided relief from the weight of numerous petticoats and the plethora of under garments that needed to be washed. The hoop was worn almost universally and could be seen on ladies, maids, the middle class and shop girls. -
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