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Period: 476 to Dec 31, 1460
Medieval Art and Culture
This period of European art is categorized by the religious and pessimistic art created during the time. These themes reveal the poor quality of life caused by famines, disease, and war, that people experienced during the middle ages. -
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Saint Apollinaris Classe
This mosaic shows the religiousness of society at the time simply because it contains religious references and symbols. -
Mar 17, 1311
Duccio Maesta- Duccio di Buoninsegna
This painting exemplifies the religious aspect of the Middle Ages because of the images of people gathering around to worship. -
Mar 17, 1458
Totentanz Blockbook
This piece of art and literature shows the pessimistic attitude of the society at that time because it shows how death will always exist within society, and how death affects everyone. -
Period: Jan 1, 1460 to
Renaissance Art
The Renaissance movement was largely sparked by educational reform and the improvement in the quality of life. It was seen as a major transition from the dark, pessimistic, unintelligent Middle Ages. New inventions, schools of thought, and a strong optimism marked this area vital to human development. The art of this time was largely influenced by the new ideologies of the renaissance such as Humanism. -
Mar 17, 1482
Delivery of the Keys to Saint Peter- Pietro Perugino
The optimism of the Renaissance is shown in this painting because of the playful people in the background and the happy expressions on the people's faces. -
Mar 17, 1503
David
This sculpture created by Michelangelo demonstrates the pride in mankind that people felt during the Renaissance because of the powerful and heroic appearance of the man. -
Mar 17, 1516
Utopia- Thomas More
This literary work shows the optimism of the Renaissance because it shows that people believed in the idea that a utopia, a perfect society, was possible. In addition, it contains early liberal ideas because this idea of a utopia in the book was a republic. -
Period: Jan 1, 1580 to
Baroque
Baroque was an artistic movement with a primary goal of producing grandeur and exuberance through emotional and exaggerated detail. This movement became involved in religion because it was supported by the Roman Catholic church, who had several buildings built in this style. -
Façade of the Church of the Gesù
This building shows its uniquely baroque characteristics because of its very extravagant yet geometrical and bold appearance. -
Period: to
Northern Realism
This art movement was related to the Enlightenment in its very scientific view. It sought geometric or mathematical values in everyday scenes and in portraits. -
The Harvesters
This work shows realist ideologies by depicting the harsh realities of the world, like the poor condition peasants in this painting. -
Still Life with Fruit, Glassware, and a Wan–li Bowl- Willem Kalf
The geometric princples and symmetry of this painting reflect the Northern Realist values of the importance of science and Mathematics. -
Period: to
Neoclassical art
This artistic movement appeared a little before the beginning of the Rococo period, and began to phase Rococo out around its end. This art style was very popular at the time because it contained Enlightenment themes and coincided with the Enlightenment. It displayed the ideas of the Greek and Roman ancients, and their superiority. Much like Rococo was a reaction against Baroque, Neoclassicism was a reaction against Rococo, and other more loose ideologies originating from the Renaissance. -
Nativity- Josefa de Óbidos
This painting shows the Baroque style in its religious themes, but it also shows them in its use of lighting to create emphasis on the characters. -
Period: to
Rococo Art
This form of art appeared first in Paris, and derived from the Baroque art style. This art style was different from Baroque because it was more graceful and fluid, while Baroque was very regualated and symmetrical. This transitition from Baroque to Rococo occurred in France at the end of the reign of Louis XIV, because there was a change in the court artists as well as the general mood of France, and artists came to experiment with more natural elements. -
Pilgrimage to Cythera- Jean-Antoine Watteau
Although Rococo was most commonly used in architecture, it was also displayed strongly in paintings, such as this one. This painting shows the Rococo style in its use of curves and delicate colors. -
Gulliver’s Travels- Johnathon Swift
This book belongs to the Neoclassical era because of its support of sense and order, and criticism of adventure and illogical goals. -
Wieskirche- Dominikus Zimmermann- Rococo
The extravagant and graceful design of this German church indubitably shows that it was inspired by Rococo. -
Oath of the Horatii- Jacques-Louis David
The notion of the superiority of the ancients that exists within Neoclassicalism is shown in this painting. The three brothers in the painting are giving their lives for the good of Rome, because the city was warring with another city and they were agreeing to battle with 3 people from the city to end the war. -
Period: to
Romanticism
This artistic movement was a reaction against the strict, rational values of the Enlightenment, and favored emotion and adventure. It also revealed the desire to escape from industrialized life and enjoy the beauty of nature. Many themes of Romantic art included horror, awe, and nature. -
Liberty Leading the People- Eugène Delacroix
This painting is Romantic because of the exhaggerated display of heroism in the people and the abstract idea of liberty. -
Period: to
Impressionism
This was a very realistic style of art that was rational and related to modern life. Impressionists often used light in their art and made very short thick brush strokes to make the surface more vibrant. -
Bonaparte Crossing the Alps- Hippolyte Delaroche
Romanticism is shown in this painting with the exhaggerated depiction of Napoleon being a glorious, majestic hero. -
Woman with a Parasol - Madame Monet and Her Son- Claude Monet
The energetic, lively, and bright colors of this painting are what give it the impressionist style. -
Period: to
Expressionism
This movement orginated in Germany, and was very modernistic in its nature. It took an extremely subjective view rather than a plain, realistic one. Its main purpose was simply to give artists the ability to express their point of view and their emotions very strongly. Expressionism was a very broad movement because it also included several other art forms such as Surrealism and Cubism. -
Haystacks- Claude Monet
The use of bright colors, short, thick brush strokes and light in this painting create a vibrancy that defines most impressionist paintings. -
The Scream- Edvard Munch
This painting is very expressionistic in its subject matter and its use of a distortion of reality to add a certain emotional and physcological effect. -
Period: to
Cubism
This was another art movement that originated from expressionism. This form of art was very abstract, and involved the artist displaying a certain view or emotion using a vague arrangment of colorful geometrical shapes. -
Factory, Horta de Ebbo- Pablo Picasso
The abstract depiction of the factory using geometric shapes allows us to more easily see the artist's point of view and makes this piece cubist. -
Simultaneous Windows on the City- Robert Delaunay
This is a cubist painting because of its use of abstract geometrical shapes to depict an image of a window looking down on a city. -
Period: to
Surrealism
This art style emerged from expressionism, and focuses more on the bizarre side of it. Much of this art is very dream-like, irrational, and related to the ideas of pyschoanalysis. -
The Elephant Celebes- Max Ernst
This piece is very surrealistic because of its use of household objects to create a bizarre creature, a common feature of surrealistic paintings. -
Elbe Bridge I- Rolf Nesch
This expressionist piece, like the Scream, uses a distortion of reality as well as a change in color, like this one uses only yellow and black, to create a certain mood. -
Indefinite Divisibility- Yves Tanguy
The surrealism is shown in this painting in the bizarre placement of the unrealistic objects in a strangely empty environment.