Timeline 2: The Baroque (1600-1730)

  • Period: 1567 to

    Claudio Monteverdi

    Train in the Renaissance style, Monteverdi used dissonances in his music (madrigals) for text expression.
  • Period: to

    Francesca Caccini

    Caccini was the first woman to compose operas. She sung roles in several early operas and was praised for her soprano voice. She was bought out by the Medici family and became the highest paid musica in Italy.
  • Concerto

    There are 3 types of Concerto:
    Solo Concerto: An orchestral work for a solo instrument + orchestra. Usually 3 movements: Fast-Slow-Fast.
    Concerto Gross: Similar to the solo concerto, except the soloist is a small group of solo players called the concertino.
    Ripieno Concerto: No small groups. The entire ensemble functions as one with different soloists and groups of instruments performing the concertino function.
  • Invention of Opera

    Invention of Opera
    The invention of Opera is accredited to Italian composers Giulio Caccini and Jacopo Peri.
  • Equal Temperament

    An adjusted (tempered) tuning: all half steps are an equal distance apart

  • Opera

    As a musical genre, Opera is a drama sung throughout, accompanied by instruments and theatrically staged.
  • Monody

    A new singing style, Monody is a sung melody, in Italian text, with basso continuo.
  • Oratorio

    An oratorio was an extended musical drama with a religious subject that was not staged.
  • Sonata

    A chamber piece for a solo instrument and keyboard or solo keyboard, violin being the first type of solo sonatas. There are two types of Sonata, Sonata da camera (sonata for the chamber or room) and Sonata da chiesa (church sonata).
  • Trio Sonata

    Two treble lines and basso 
continuo. Arcangelo Corelli was the master of Trio Sonata.
  • The Baroque Suite

    A Baroque set of dances, usually contrasting in character – usually all in the same key
. Suites could be created for chamber or orchestral ensembles – even for solo players.
  • Cantatas

    Cantatas up until the 1630s contained simple arias, strophic variations, and passages of monody. In the 17th century, an Italian cantata was a vocal work for a soloist and basso continuo. They became particularly popular in mid-baroque.
  • Period: to

    Early Baroque

  • Period: to

    The Baroque Period

    Throughout the Baroque period, harmonies, forms, and textures tended to be more free and unlike the Renaissance, polyphony and homophony were of equal importance. With the rise in popularity of the virtuoso, ornamentation, often improvised, became prominant. Rhythm became more definite and functional harmony was established.
  • Period: to

    Barbara Strozzi

    Strozzi studied under Francesce Cavalli at the Accademia degli Unisoni. She did not write opera but her songs and cantatas are very dramatic.
  • First Public Opera Theater

    The first public opera theater opened in 
Venice in 1637, the Teatro de San Cassiano.
  • Aria

    Aria is a self-contained piece for solo voice, accompanied by instruments. It often exists within a larger genre, such as in an opera, oratorio, or cantata
  • The Coronation of Poppea

    Composed by Monteverdi, this early opera was based on mythology. It premiered in Venice
  • Passacaglia

    Passacaglia is a Baroque form that draws upon the principle of the ground bass. The bass melody in a stately triple meter, usually 4 to 8 measures long while the theme is repeated over and over in the bass serving as a foundation for a set of continuous variations on top

  • Chaconne

    Chaconne is related to the passacaglia. A harmonic progression is repeated instead of an actual melody.
  • The Fugue

    The Fugue is both a form and a genre. Based on the principle of imitation, Countersubjects, answers to the subject, 
and alterations to the subject make up the remainder of the fugue.
    ,
  • Period: to

    Middle Baroque

  • Period: to

    Arcangelo Corelli

    Corelli was a particularly influential Italian composer known for his sonatas and concertos featuring heavily ornamented violin compositions.
  • Period: to

    Henry Purcell

    Purcell assimilated the musical styles of Europe through Italian operatic style, grand aspects of French music, and the lyric melodic quality of English songs. He wrote incidental music for plays.
  • Period: to

    Elizabeth-Claude Jacquet de la Guerre

    She was called “the wonder of our century.” and was a renowned haprsicordist.
  • Invention of the Telescope

    Isaac Newton invents a reflecting telescope.
  • Period: to

    Francois Couperin

    Couperin was a French composer and keyboardist. He created both sacred and secular works as well as chamber music and 27 orders of keyboard works.
  • Bieber's, Sonata No. 1

    Sonata No. 1 is a Mid-Baroque violin sonata. The opening Praeludium is for violin and basso continuo; the violin part uses a virtuosic style similar to that of solo vocal singing
  • Period: to

    Antonio Vivaldi

    Considered the greatest master of the Baroque concerto, Vivaldi wrote nearly 800 concertos of various types. He was the music director at the Pieta, an orphanage for girls in Venice for the majority of his career. He also composed many operas, much sacred music, and many instrumental works.
  • Period: to

    Georg Philip Telemann

    Teleman composed more than 125 orchestral suites
 and
    helped establish the French-style orchestral suite in Germany.
  • Period: to

    Jean-Joseph Mouret

    Mouret was one representative composer from this French court: served the son of King Louis XIV
. He composed operas, suites, and “grand divertissements [entertainments]”
.
  • Period: to

    Domenico Scarlatti

    Scarlatti served Portuguese and 
Spanish royal families
. He
    had a progressive style; aware of his modern flare
. He
    wrote over 500 sonatas for harpsichord, operas, cantatas, and keyboard exercises.
  • Period: to

    G. F. Handel

    Handel was a German composer living in England writing Italian music. He has two very popular orchestral suites; Music for the Royal Fireworks and Water Music.
  • Period: to

    J. S. Bach

    Bach is undisputedly the greatest master of the fugue. The German composer wrote a ton of music in all genres except opera. He was an Organ virtuoso and composed for many churches in Leipzig to where he worked for 27 years. Bach had to compose a cantata for the Sunday church services to which at least 200 are extant, but he wrote many more,
  • Period: to

    Late (High) Baroque

  • Water Music

    Composed by Handel and performed for a royal party on the Thames River in London on July 17, 1717.
  • Le Quattro Stagioni

    Composed by Vivaldi, The Four Seasons is a cycle of four violin concertos. Each concerto is accompanied by a poem that we believe he wrote.
  • Messiah

    The only Oratorio composed by Handel that is not in the Old Testament. Was originally a fund raiser for an orphanage and incidentally became the only oratorio that is still being performed throughout time.