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Period: 1567 to
Monteverdi
Helped move music from the Renaissance to the Baroque; 9 books of madrigals and several operas -
Period: to
Frescobaldi
Finest organist of Early Baroque who influenced Bach. Worked at St. Peter's Cathedral -
Period: to
Caccini
Soprano and daughter of Giulio; first woman to compose opera and often sang lead in several. Family worked for the Medici's -
Dafne
First opera, composed by Caccini and Peri -
Instrumental Music
Popularized during the Baroque; dance music entering the concert hall and virtuosos praised -
Basso Continuo
Figured bass; used solo bass instrument and chording instrument -
Recitative
Two styles of mono-voice. Secco and Accompagnato that became very popular -
Euridice
First extant opera; composed by Caccini and Peri -
Baroque Tuning
Switch to Equal Temperament where all half steps were tuned equally -
Period: to
Early Baroque
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Baroque Style
Extremes and ornamentation; affect and emotions became the goal of art and music; favored virtuosos. Functional tonality also became a thing -
Monody
Solo voice with basso continuo; homophonic and new style. First time in history this was preferred -
Period: to
Strozzi
Studied under Cavalli; wrote eight sets of songs with each dedicated to a wealthy patron. Most of her works are ariettas and arias. -
First public opera house opened
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Period: to
King Louis XIV of France
Accomplished dancer and king of France during the Baroque -
Arias
Most desired and appreciated pieces -
Period: to
Franz von Biber
Bohemian-Austrian composer and violinist who lived in Salzburg; invented new techniques for playing violin -
17th Century Genres
Opera; Cantatas; Oratorio; Arias -
Period: to
Middle Baroque
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Period: to
Corelli
Composer who made clear distinctions between the types of sonatas; master at trio sonata -
Period: to
Purcell
Singer, organist, and composer who worked in court of Charles II. Wrote incidental music for plays -
Period: to
Alessandro Scarlatti
Father of Domenico Scarlatti; teacher in Naples and many helped create. Death marks best indicator for end of Baroque -
Period: to
Jacquet de la Guerre
"the wonder of our century" -
Period: to
Couperin
French composer -
Opera
Reached England in 1670s; Created in Italy and spread to France next. Focused on the dramatics -
Baroque Instruments
Strings made of gut; WW made of wood; trumpets and horns didn't have valves -
Concertos
Solo pieces that featured orchestra; works for concert hall. Usually fast-slow-fast. Grosso --> featured concertino. Ripieno --> entire ensemble functions as one w/ different groups/soloists -
Period: to
Vivaldi
Composer and music director at Pieta; composed tones of music including "The Four Seasons." Extremely popular during the height of his career. Wrote over 800 concertos; master of Baroque concerto -
Period: to
Telemann
German composer w/ more than 125 orchestral suites; helped establish the French style -
Period: to
Mouret
Composed for the son of King Louis XIV; operas, suites, and grand divertissments -
Period: to
Scarlatti
Keyboard virtuoso who served Portuguese and Spanish royal families; progressive style. over 500 sonatas -
Period: to
Handel
Extremely popular and talented composer; most popular being "Music for the Royal Fireworks" and "Water Music" -
Period: to
Bach
Master of the fugue and very popular composer. Super influential and wrote The Art of Fugue. -
Sonata
Chamber piece for solo instrument and keyboard; first started w/ violin. Two types of Sonata; da camera (chamber or room) and da chiesa (church). Trio sonata was for two treble lines and basso continuo -
Programmatic Music
Music that takes something outside of self and uses it to determine music; Symphonic poems popular in 19th century -
Baroque Suite
Set of dances in same key with contrasting characters. Allemande --> German; in 4 w/ moderate tempo. Courant --> french in 3, moderate. Saraband --> Spanish in 3, slow/steady. Jig (Gigue) --> English in 6/8 or 4/4 and fast -
Middle/Late Baroque Genres
Passacaglia --> principle of ground bass; triple meter
Chaconne --> related to passacaglia; harmonic progression repeated
Keyboard Free Forms --> Harmony w/ strong element of improv
Strict --> Worked on counterpoint
Fugue --> Form and Genre -
Period: to
Late Baroque