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Byzantine Art
330-1453
Mosaics, icons, and panel paintings frequently include hieratic depictions of Christian figures and symbols and make use of a flattened, elongated style. -
Neoclassicism
1750-1850
Looking back to the arts of Greece and Rome for ideal models and forms, Neoclassicism was a major art period that set the standard and redefined painting, sculpture, and architecture. -
Romanticism
1780-1830
A nineteenth-century movement that celebrated the powers of emotion and intuition over rational analysis or classical ideals. -
Naturalism
1820-1880
A movement within painting where the human subject is depicted in natural habitats and social milieus, with an emphasis on visual accuracy. -
Modern Photofraphy
1910-1960
A range of approaches from Straight Photography, New Vision photography, Dada and Surrealist photography, and later abstract tendencies. -
Rayonism
1911-1914
An abstract style of painting developed by Russian artists Mikhail Larionov and Natalia Goncharova. The term was derived from the use of dynamic rays of contrasting color that represented lines of reflected light. -
Russian Futurism
1911-1916
Artists reject past approaches and looked to Russian iconography, French Cubism, and the avant-garde of Europe for new directions for art-making. -
Suprematism
1913-1920
Using geometric shapes--as simple as a black square on a white ground or as complex as myriad bars, trapezoids, and circles arranged in space--Suprematism sought to convey the fundamental and transcendent properties of art. -
Constructivism
1915-1930
A movement that emerged in Revolutionary Russia among such artists as Vladimir Tatlin, Aleksander Rodchenko, Antoine Pevsner, and Naum Gabo. It emphasized space, construction, and industrial materials -
Socialist Realism
1922-1980s
A style of realism that rose to prominence around 1917, after the political upheaval in Russia. This style glorified of Communism and its values through the depictions of powerful and just leaders, and hard-working, happy workers. -
Body Art
1961-1980
Many Performance artists used their bodies as the subjects, and the objects of their art and thereby expressed their distinctive views in the newly liberated social, political, and sexual climate of the 1960s.