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7 masses, 28 mass sections, 90 motets, 15 antiphons, 27 hymns, 87 chansons, 22 motets(13 isorhythmic) Franco-Flemish; the first important renaissance composer; used older medieval cadences
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28 mass sections, 29 motets, 6 magnificants, 51 rondeaux, 7 ballades Early renaissance composer, often paired with dufax in importance; served at the court of the Duke of Burgandy (Philip the Good); Franco-Flemish
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12 mases, 5+ motets, 21 chansons, Requiem Bass singer; served 3 kings; very respected; did not use much imitation; born in Northeastern France; important teacher.
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. Common genres composed in this era are motets, hymns, madrigals and masses. Some musical stylistic traits are 3/4 part polyphonic music, counterpoint and homorythm. The printing press was invented in 1440 and that helped the popularization of music as people had more access to sheet music. The printing press was invented in 1440 and helped make music more accessible. A new form of music called a madrigal was invented which helped the renaissance era of music transition into the baroque era.
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18 masses, 60+ motets, 65 chansons (10 instrumentals) many distributed works Considered by Martin Luther to be the "best of the composers of our time" and "the master of the notes" he was said to have no peer in music; French.
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36 masses, german, french and italian songs; frottole; choralis constantinus( anthology of over 450 chant-based polyphonic motets) Franco-Flemish composer who influenced german music; court composer to holy roman emperor maximilian I in vienna; served in florence as well
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31 masses, 25 motets, 7 mass sections, Requiem, 30 chansons leading composer at the Burgundian court; never worked in italy; very famous in his day; frequent use of canon and ostinato; preferred low sonorities.
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26 masses, marian antiphons, 32 motets, 30 secular works made important contributions to large-scale forms and their unity; dutch; important composer of masses in europe
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first music printer and publisher; preserved renaissance music for us today
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german hymns, writings german theologian and composer; he was the founder of the lutheran church
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masses, psalms, 173 motets, madrigals, hymns, chansons 18 ricercares. advocate of textual expression
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30 motets( 1 for 40 voices) 3 masses, psalms, anthems, lamentations english organist; taught byrd; he was catholic during henry VII's troubled years; wrote both for the latin and the reformed english liturgies
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volumes of madrigals, chansons, masses dutch; worked in rome and paris; famous for his early madrigals and his 3 to 7-voice masses (often homorythmic style); well published in the 16th century
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at least 125 madrigals, 65 motets, 3 masses, 8 psalms, magnificats, 1 passion flemish; worked in ferrara and parma; associated with Willaert
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at least 1038 secular madrigals, 38 masses, 319 motets, 144 sacred madrigals, 45 chansons at the viennese and prague courts; religious; franco-flemish; mixed polyphony and homophony; one of the most prolific composers of the Renaissance
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104 masses, 375 motets, madrigals(sacred and secular) became and icon of renaissance music for future generations; roman style; responded to the requests of the council of Trent to reform catholic church music; mostly contrapuntal liturgical music
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60 masses, 530 motets, 150 chansons, 175 italian madrigals, 90 german lieder, 100 magnificats also roland de lassus; widely traveled; employed G. Gabrieli in 1575; over 2000 compositions in all languages; one of the most versatile and prolic composers in the 16th century
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masses, motets, psalms, vocal concerti, madrigals, keyboard and instrument works italian organist, composer, teacher; uncle of Giovanni; worked in venice; pupil of Willaert; versatile and innovative
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creator of intermedi, a treatise, 4 madrigals, dramatic works leader of the florentine camerata in the late 1570s-90s; italian critic, poet, composer, and playwright
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15 volumes of madrigals, motets, hymns pupil of de rore; served the dukes of manuta and parma; stormy personal life; text declamation was important to him; he influenced Monteverdi; friend of the poet, Tasso; wrote madrigals for the concerto della donne
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3 masses, 175 motets, anthems, antiphons english; catholic composer writing both protestant and catholic music in england; greatest english composer of his time
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20 masses, motets, magnificats, hymns, many liturgical pieces spanish; continued palestrina's roman style in spain; studied in rome; sacred-music composer; the greatest spanish composer of the renaissance
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9 books of madrigals, 75 sacred motets the leading madrigal composer of the late 16th centure; worked in rome, ferrara, florence, and warsaw( serving the king of poland); influenced the english madrigal
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edited the "triump of oriana" (1601); liturgical works, keyboard works english; contributed to the development of the english madrigal; important for music publication and printing; probably a pupil of Byrd; wrote in 1597, A plaine and Easie Introduction to Practicall Musicke
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6 books of madrigals, 2 books of motets, 1 book of responsories, keyboard works known for his chromaticism; Neapolitan prince of venosa; murdered his wife and lover in 1590; leading composer of madrigals; extremely expressive intensity; stravinisky was fascinated with his music; friends with the poet Tasso
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ahead of his time; took music into a new style (seconda pratica vs. the older, prima pratica)
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madrigals and anthems english organist; excessive drinking was a problem for him
