Música

  • Period: 4000 BCE to 476

    Ancient history

    The ancient history is the aggregate of past events from the beginning of writing and recorded human history and extending as far as late antiquity.
  • 1 CE

    Christ birth

  • Period: 476 to Nov 12, 1492

    Middle Ages

    In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery.
  • 991

    Guido d'Arezzo

    Guido d'Arezzo
    Guido d'Arezzo was an Italian music theorist and pedagogue of High medieval music. A Benedictine monk, he is regarded as the inventor—or by some, developer—of the modern staff notation that had a massive influence on the development of Western musical notation and practice.
  • 1000

    Gregorian chant

    Gregorian chant
    Gregorian chant is a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
  • 1098

    Hildegard of Bingen

    Hildegard of Bingen
    Hildegard of Bingen was a German Benedictine abbess and polymath active as a writer, composer, philosopher, mystic, visionary, and as a medical writer and practitioner during the High Middle Ages.She is one of the best-known composers of sacred monophony, as well as the most recorded in modern history. She has been considered by scholars to be the founder of scientific natural history in Germany.
  • 1130

    Bernart de Ventadorn

    Bernart de Ventadorn
    Bernart de Ventadorn was a French poet-composer troubadour of the classical age of troubadour poetry. Generally regarded as the most important troubadour in both poetry and music,his 18 extant melodies of 45 known poems in total is the most to survive from any 12th-century troubadour.
  • 1150

    Leonín

    Leonín
    Leonín was the first known significant composer of polyphonic organum. He was probably French, probably lived and worked in Paris at the Notre Dame Cathedral and was the earliest member of the Notre Dame school of polyphony and the ars antiqua style who is known by name.
  • 1170

    Ars antiqua

    Ars antiqua is a term used by modern scholars to refer to the Medieval music of Europe during the High Middle Ages, between approximately 1170 and 1310.
  • 1200

    Perotin

    Perotin
    Perotin was a composer associated with the Notre Dame school of polyphony in Paris and the broader ars antiqua musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the introduction of three and four-part harmonies.
  • 1221

    Alfonso X of Castile, the Wise

    Alfonso X of Castile, the Wise
    Alfonso X of Castile, the Wise was King of Castile, León and Galicia from 30 May 1252 until his death in 1284. During the election of 1257, a dissident faction chose him to be king of Germany on 1 April. He renounced his claim to Germany in 1275, and in creating an alliance with the Kingdom of England in 1254, his claim on the Duchy of Gascony as well.
  • 1300

    Guillaume de Machaut

    Guillaume de Machaut
    Guillaume de Machaut was a French composer and poet who was the central figure of the ars nova style in late medieval music. His dominance of the genre is such that modern musicologists use his death to separate the ars nova from the subsequent ars subtilior movement.
  • 1325

    Francesco Landini

    Francesco Landini
    Francesco Landini was an Italian composer, poet, organist, singer and instrument maker who was a central figure of the Trecento style in late Medieval music. One of the most revered composers of the second half of the 14th century, he was by far the most famous composer in Italy.
  • 1377

    Ars Nova

    Ars Nova
    Ars Nova refers to a musical style which flourished in the Kingdom of France and its surroundings during the Late Middle Ages. The term is sometimes used more generally to refer to all European polyphonic music of the fourteenth century.
  • Period: 1400 to

    Renaissance

    The renaissance is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity.
  • 1455

    The Invention of the printing press

    The Invention of the printing press
    The printing press is a device that allows for the mass production of uniform printed matter, mainly text in the form of books, pamphlets and newspapers.
  • 1468

    Johannes Gutenberg

    Johannes Gutenberg
    was a German inventor, printer, publisher, and goldsmith who introduced printing to Europe with his mechanical movable-type printing press. His work started the Printing Revolution in Europe and is regarded as a milestone of the second millennium, ushering in the modern period of human history.
  • 1492

    Amerian discoverment

    Amerian discoverment
  • 1510

    Antonio de Cabezón

    Antonio de Cabezón
    was a Spanish Renaissance composer and organist. Blind from childhood, he quickly rose to prominence as a performer and was eventually employed by the royal family.
  • 1530

    Juan del Encina.

    Juan del Encina.
    was a composer, poet, and playwright,[2]: 535  often called the founder, along with Gil Vicente, of Spanish drama. His birth name was Juan de Fermoselle.[
  • 1546

    Martin luther

    Martin luther
    was a German priest, theologian, author, hymnwriter, and professor. A former Augustinian friar,[3] he is best known as the seminal figure in the Protestant Reformation and the namesake of Lutheranism.
  • 1553

    Cristóbal de Morales

    Cristóbal de Morales
    was a Spanish composer of the Renaissance. He is generally considered to be the most influential Spanish composer before Tomás Luis de Victoria.
  • Andrea Gabrieli

    was an Italian[1] composer and organist of the late Renaissance. The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the Venetian School of composers, and was extremely influential in spreading the Venetian style in Italy as well as in Germany.
  • Maddalena Casulana

    Maddalena Casulana
    was an Italian composer, lutenist and singer of the late Renaissance. She is the first female composer to have had a whole book of her music printed and published in the history of western music.
  • Giovanni Pierluigi da Palestrina

    Giovanni Pierluigi da Palestrina
    was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe
  • Orlando di Lasso

    Orlando di Lasso
    was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with Giovanni Pierluigi da Palestrina and Tomás Luis de Victoria as the leading composers of the later Renaissance.
  • Period: to

    Baroque

    The Baroque is a music style that flourished in Europe from the early 17th century until the 1750s.
  • Giacomo Carissimi

    was an Italian composer and music teacher. He is one of the most celebrated masters of the early Baroque or, more accurately, the Roman School of music.
  • Tomás Luis de Victoria

    Tomás Luis de Victoria
    was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy Week"
  • Giovanni Gabrieli

    Giovanni Gabrieli
    was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift from Renaissance to Baroque idioms.
  • Carlo Gesualdo

    Carlo Gesualdo
    was Prince of Venosa and Count of Conza. As a composer he is known for writing madrigals and pieces of sacred music that use a chromatic language not heard again until the late 19th century.
  • Barbara Strozzi

    Barbara Strozzi
    Barbara Strozzi was an Italian composer and singer of the Baroque Period. During her lifetime, Strozzi published eight volumes of her own music and had more secular music in print than any other composer of the era. This was achieved without any support from the Church and with no consistent patronage from the nobility.
  • Claudio Monteverdi

    Claudio Monteverdi
    was an Italian composer, string player, choirmaster, and Catholic priest. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history.
  • Lauterbach Stradivarius

    Lauterbach Stradivarius
    is an antique violin fabricated by Italian luthier, Antonio Stradivari of Cremona (1644–1737). The instrument derives its name from previous owner, German virtuoso, Johann Christoph Lauterbach.
  • Antonio Vivaldi

    Antonio Vivaldi
    Antonio Vivaldi was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programmatic music.
  • George Philipp Telemann

    George Philipp Telemann
    was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes.
  • Johann Sebastian Bach

    Johann Sebastian Bach
    Johann Sebastian Bach was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor, and vocal music such as the St Matthew Passion and the Mass in B minor.
  • Georg Friedrich Händel

    Georg Friedrich Händel
    Georg Friedrich Händel was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti Grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727.
  • Henry purcell

    Henry purcell
    was an English composer. Although it incorporated Italian and French elements, Purcell's style of Baroque music was uniquely English.
  • Georg Friedrich Händel

    In June 1710, Handel became Kapellmeister to German prince George, the Elector of Hanover, but left at the end of the year.
  • Gluck

    Gluck
    Christoph Willibald Gluck was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia.
  • The Four Seasons

    The Four Seasons
    The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concertos by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. These were composed around 1718−1720, when Vivaldi was the court chapel master in Mantua. They were published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione (The Contest Between Harmony and Invention).
  • The Brandenburg Concertos

    The Brandenburg Concertos
    The Brandenburg Concertos by Johann Sebastian Bach (BWV 1046–1051), are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt
  • J. Haydn

    J. Haydn
    Franz Joseph Haydnwas an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio.
  • Messiah

    Messiah
    Messiah is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.
  • The Goldberg Variations

    The Goldberg Variations
    The Goldberg Variations, BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have been the first performer of the work.
  • Maria Anna Walburga Ignatia Mozart

    Maria Anna Walburga Ignatia Mozart
    Maria Anna (Marianne) Mozart was born in Salzburg. When she was seven years old, her father Leopold Mozart started teaching her to play the harpsichord. Leopold took her and Wolfgang on tours of many cities, such as Vienna and Paris, to showcase their talents. In the early days, she sometimes received top billing, and she was noted as an excellent harpsichord player and fortepianist.
  • Mozart

    Mozart
    Wolfgang Amadeus Mozart was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire.
  • Maria Theresia von Paradis

    Maria Theresia von Paradis
    Maria Theresia von Paradis was an Austrian musician and composer who lost her sight at an early age, and for whom her close friend Mozart may have written his Piano Concerto No. 18 in B-flat major. She was also in contact with Salieri, Haydn, and Gluck.
  • Ludwig van Beethoven

    Ludwig van Beethoven
    Ludwig van Beethoven was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
  • Gioachino Antonio Rossini

    Gioachino Antonio Rossini
    Gioachino Antonio Rossini was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
  • Franz Peter Schubert

    Franz Peter Schubert
    Franz Peter Schubert was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.
  • Berlioz

    Berlioz
    Louis-Hector Berlioz was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid genres such as the "dramatic symphony" Roméo et Juliette and the "dramatic legend" La Damnation de Faust.
  • Jakob Ludwig Felix Mendelssohn Bartholdy

    Jakob Ludwig Felix Mendelssohn Bartholdy
    Jakob Ludwig Felix Mendelssohn Bartholdy born and widely known as Felix Mendelssohn,[n 2 was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.
  • Robert Schumann

    Robert Schumann
    Robert Schumann was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
  • Chopin

    Chopin
    Frédéric François Chopin was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation"
  • Listz

    Listz
    Franz Liszt was a Hungarian composer, pianist and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era and remains one of the most popular composers in modern concert piano repertoire.
  • verdi

    verdi
    Giuseppe Fortunino Francesco Verdi was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him.
  • wagner

    wagner
    Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas").
  • Clara Josephine Schumann

    Clara Josephine Schumann
    Clara Josephine Schumann was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works.
  • Johannes Brahms

    Johannes Brahms
    Johannes Brahms was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
  • Pyotr Ilyich Tchaikovsky

    Pyotr Ilyich Tchaikovsky
    Pyotr Ilyich Tchaikovsky was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin.
  • Giacomo Puccini[

    Giacomo Puccini[
    Giacomo Puccini was an Italian composer known primarily for his operas. Regarded as the greatest[2] and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic verismo style, of which he became one of the leading exponents.
  • Gustav Mahler

    Gustav Mahler
    Gustav Mahler was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era.
  • Hugo Philipp Jacob Wolf

    Hugo Philipp Jacob Wolf
    Hugo Philipp Jacob Wolf was an Austrian composer of Slovene origin, particularly noted for his art songs, or Lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music, somewhat related to that of the Second Viennese School in concision but diverging greatly in technique.