Music

Seikilos epitaph

100

The Seikilos epitaph is an Ancient Greek inscription dated between 1th century and 2 th century. The composition of the Seikilos epitaph talks about "while you live, shine, don't suffer for anything"

Antigüedad y Edad Media

Period: 100 to Dec 10, 1492

Epitafio de Seikilos
Canto Gregoriano
Ars Antiqua
Ars Nova
Perotin
Leonin
Guido d’Arezzo
Hildegard von Bingen
Bernart de Ventadorn
Alfonso X el Sabio
Guillaume de Machaut
Francesco Landini

Georgian chant

950

Is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin of the Roman Catholic Church.

Guido d’Arezzo

991

Guido of Arezzo was an Italian Benedictine monk and musical theorist who constitutes one of the central figures of the music of the Middle Ages along with Hucbaldo.

Hildegard von Bingen

1098

Hildegard of Bingen was a holy Benedictine abbess and German polymath, active as a composer, writer, philosopher, scientist, naturalist, physician, mystic, monastic leader and prophetess during the Middle Ages.

Bernart de Ventadorn

1134

Bernart de Ventadorn, also known as Bernart de Ventadour and Bernard de Ventadorn, was a popular Provençal troubadour, composer and poet. He is probably the best-known troubadour of the style called trobar leu.

Leonin

1135

Léonin or Magister Leoninus is, along with Perotín, the first known composer of polyphonic organum, related to the School of Notre Dame.

Perotin

Period: 1160 to 1230

Was a medieval French composer, who was born in Paris between 1155 and 1160 and died around 1230. Considered the most important composer of the School of Notre Dame of Paris, in which the polyphonic style began to take shape.

Ars antiqua

1200

Is a term used by modern scholars to refer to the Medieval music of Europe during the High Middle Ages, between approximately 1170 and 1310.

Alfonso X el Sabio

1221

Alfonso X of Castile, called the Wise, was the king of the Crown of Castile and the other titled kingdoms between 1252 and 1284. Upon the death of his father, Ferdinand III the Saint, he resumed the offensive against the Muslims and occupied Jerez, Salé, the port of Rabat and conquered Cádiz.

Guillaume de Machaut

1300

Guillaume de Machaut was a French medieval cleric, poet and composer. His influence was enormous and he is historically the greatest representative of the movement known as Ars nova, and is considered the most famous composer of the 14th century. He contributed to the development of the motet and secular song.

Renacimiento

Period: 1300 to 1600

Johannes Gutenberg
Antonio de Cabezon
Giovanni Pierluigi da Palestrina
Orlando di Lasso
Tomás Luis de Victoria
Cristóbal de Morales
Martín Lutero
Carlo Gesualdo
Andrea Gabrieli
Giovanni Gabrieli
Juan del Encina
Maddalena Casulana

Francesco Landini

1335

Francesco Landini or Landino was an Italian composer, organist, singer, poet, instrument maker and astrologer. He was one of the most famous and admired composers of the second half of the 14th century and certainly the most famous composer in Italy.

Ars nova

1400

Refers to a musical style which flourished in the Kingdom of France and its surroundings during the Late Middle Ages.

Johannes Gutemberg

1410

Johannes Gensfleisch zur Laden zum Gutenberg, better known as Johannes Gutenberg or Johannes Gutemberg, was a German goldsmith, inventor of the modern printing press with movable type, around 1450.

Martín Lutero

1483

Martin Luther, born Martin Luder, was an Augustinian Catholic theologian, philosopher, and friar who began and promoted the Protestant Reformation in Germany and whose teachings inspired the theological and cultural doctrine called Lutheranism.

Cristóbal de Morales

1500

Cristóbal de Morales Spanish Catholic priest and chapelmaster, being the main representative of the Andalusian polyphonist school and one of the three greats, along with Tomás Luis de Victoria and Francisco Guerrero, of Spanish polyphonic composition of the Renaissance.

Antonio de Cabezon

1510

Antonio de Cabezón was a Spanish organist, harpist and composer of the Renaissance.

Giovanni Pierluigi da Palestrina

1530

Giovanni Pierluigi da Palestrina was an Italian Renaissance composer of sacred music and the best-known representative of the 16th-century Roman School of musical composition.

Orlando di Lasso

1531

Orlando di Lasso, also known as Orlandus Lassus, Roland de Lassus, Roland Delattre or Orlande de Lassus was a Franco-Flemish composer of the late Renaissance. Along with Palestrina and Victoria, he is considered one of the most influential composers of the 16th century.

Tomás Luis de Victoria

1548

Tomás Luis de Victoria was a Catholic priest, chapel teacher and famous polyphonist composer of the Spanish Renaissance. He has been considered one of the most relevant and advanced composers of his time, with an innovative style that heralded the imminent Baroque.

Carlo Gesualdo

1566

Carlo Gesualdo, Prince of Venosa and Count of Conza, was an Italian composer, one of the most significant figures of late Renaissance music with intensely expressive madrigals and pieces of sacred music with a chromaticism that will not be heard again until the end of the century XIX.