Línea del tiempo (Música)

  • 750

    Gregorian chant

    Gregorian chant
    Is the central tradition of Western plainchant, a form of monophonic, unnaccoimpanied scrade song in Latin of the Roman Catholic Church.
    Gregorian chantdevloped mainly in Wester and central Europe during the 9th and 10th centuries, with later additions and reactions.
  • Period: 800 to 887

    The Carolingian Empire

    The Carolingian Empire was a Frankish-dominated empire in western and central Europe during the Early Middle Ages. It was ruled by the Carolingian dynasty, which had ruled as kings of the Franks since 751 and as kings of the Lombards in Italy from 774. In 800, the Frankish king Charlemagne was crowned emperor in Rome by Pope Leo III in an effort to transfer the Roman Empire from the Byzantine Empire to Western Europe. Is considered the first phase in the history of the Holy Roman Empire.
  • 991

    Guido of Arezzo

    Guido of Arezzo
    Guido of Arezzo was an Italian music theorist and pedagogue of High medieval music. A Benedictine monk, he is regarded as the inventor—or by some, developer—of the modern staff notation that had a massive influence on the development of Western musical notation and practice. Perhaps the most significant European writer on music between Boethius and Johannes Tinctoris, after the former's De institutione musica, Guido's Micrologus was the most widely distributed medieval treatise on music.
  • 1135

    Léonin

    Léonin
    Léonin was the first known significant composer of polyphonic organum. He was probably French, probably lived and worked in Paris at the Notre Dame Cathedral and was the earliest member of the Notre Dame school of polyphony and the ars antiqua style who is known by name. The name Léonin is derived from "Leoninus," which is the Latin diminutive of the name Leo; therefore it is likely that Léonin's given French name was Léo.
  • 1135

    Bernart de Ventadorn

    Bernart de Ventadorn
    Bernart de Ventadorn was a French poet-composer troubadour of the classical age of troubadour poetry. Generally regarded as the most important troubadour in both poetry and music. He is remembered for his mastery as well as popularization of the trobar leu style, and for his prolific cançons, which helped define the genre and establish the "classical" form of courtly love poetry, to be imitated and reproduced throughout the remaining century and a half of troubadour activity.
  • Period: 1170 to 1310

    Ars Antiqua

    Ars antiqua, is a term used by modern scholars to refer to the Medieval music of Europe during the High Middle Ages.
  • 1179

    Hildegard of Bingen

    Hildegard of Bingen
    Hildegard of Bingen also known as Saint Hildegard and the Sibyl of the Rhine, was a German Benedictine abbess and polymath active as a writer, composer, philosopher, mystic, visionary, and as a medical writer and practitioner during the High Middle Ages. She is one of the best-known composers of sacred monophony, as well as the most recorded in modern history. She has been considered by scholars to be the founder of scientific natural history in Germany.
  • 1200

    Pérotin

    Pérotin
    Pérotin was a composer associated with the Notre Dame school of polyphony in Paris and the broader ars antiqua musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the introduction of three and four-part harmonies.
  • 1221

    Alfonso X el Sabio

    Alfonso X el Sabio
    Alfonso X el Sabio was King of Castile, León and Galicia from 30 May 1252 until his death in 1284. During the election of 1257, a dissident faction chose him to be king of Germany on 1 April. He renounced his claim to Germany in 1275, and in creating an alliance with the Kingdom of England in 1254, his claim on the Duchy of Gascony as well.
  • 1300

    Guillaume de Machaut

    Guillaume de Machaut
    Guillaume de Machaut was a French composer and poet who was the central figure of the ars nova style in late medieval music. His dominance of the genre is such that modern musicologists use his death to separate the ars nova from the subsequent ars subtilior movement. Regarded as the most significant French composer and poet of the 14th century, he is often seen as the century's leading European composer.
  • 1335

    Francesco Landini

    Francesco Landini
    Francesco Landini was an Italian composer, poet, organist, singer and instrument maker who was a central figure of the Trecento style in late Medieval music. One of the most revered composers of the second half of the 14th century, he was by far the most famous composer in Italy.
  • 1400

    Johannes Gutenberg

    Johannes Gutenberg
    Johannes Gutenbergwas a German inventor and craftsman who introduced letterpress printing to Europe. Gutenberg invented the printing press, which later spread across the world. His work led to an information revolution and the unprecedented mass-spread of literature throughout Europe. It also had a direct impact on the development of the Renaissance, Reformation, and humanist movements, as all of them have been described as "unthinkable" without Gutenberg's invention.
  • 1468

    Juan del Encina

    Juan del Encina
    Juan del Encina was a composer, poet, priest, and playwright: 535  often credited as the joint-father (even "founder" or "patriarch") of Spanish drama, alongside Gil Vicente. His birth name was Juan de Fermoselle. He spelled his name Enzina, but this is not a significant difference; it is two spellings of the same sound, in a time when "correct spelling" as we know it barely existed.
  • 1483

    Martín Lutero

    Martín Lutero
    Martín Lutero was a German priest, theologian, author, hymnwriter, professor, and Augustinian friar.[3] He was the seminal figure of the Protestant Reformation, and his theological beliefs form the basis of Lutheranism. Luther was ordained to the priesthood in 1507. He came to reject several teachings and practices of the Roman Catholic Church; in particular. Luther proposed an academic discussion of the practice and efficacy of indulgences in his Ninety-five Theses of 1517.
  • 1492

    Discovery of America

    Discovery of America
    Discovery of America is the name given to the historical event that made known what happened on October 12, 1492, consisting of the arrival in America of an expedition from Castile, in the Iberian Peninsula, led by Christopher Columbus. mandate of the Catholic Monarchs, Isabel I of Castile and Ferdinand II of Aragon. Columbus had left the Port of Palos two months and nine days earlier and, after crossing the Atlantic Ocean.
  • 1492

    History of the Americas

    History of the Americas
    The history of the Americas begins with people migrating to these areas from Asia during the height of an ice age. These groups are generally believed to have been isolated from the people of the "Old World" until the coming of Europeans in the 10th century from Iceland led by Leif Erikson, and in 1492 with the voyages of Christopher Columbus.
    The ancestors of today's American Indigenous peoples were the Paleo-Indians; they were hunter-gatherers who migrated into North America.
  • 1500

    Cristóbal de Morales

    Cristóbal de Morales
    Cristóbal de Morales was a Spanish composer of the Renaissance. He is generally considered to be the most influential Spanish composer before Tomás Luis de Victoria.
  • 1510

    Antonio de Cabezón

    Antonio de Cabezón
    Antonio de Cabezón was a Spanish Renaissance composer and organist. Blind from childhood, he quickly rose to prominence as a performer and was eventually employed by the royal family. He was among the most important composers of his time and the first major Iberian keyboard composer.
  • 1525

    Giovanni Pierluigi da Palestrina

    Giovanni Pierluigi da Palestrina
    Giovanni Pierluigi da Palestrina was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint.
  • 1532

    Orlando di Lasso

    Orlando di Lasso
    Orlando di Lasso was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with William Byrd, Giovanni Pierluigi da Palestrina, and Tomás Luis de Victoria as the leading composers of the later Renaissance. Immensely prolific, his music varies considerably in style and genres, which gave him unprecedented popularity throughout Europe.
  • 1533

    Andrea Gabrieli

     Andrea Gabrieli
    Andrea Gabrieli was an Italian composer and organist of the late Renaissance. The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the Venetian School of composers, and was extremely influential in spreading the Venetian style in Italy as well as in Germany.
  • 1544

    Maddalena Casulana

    Maddalena Casulana
    Maddalena Casulana was an Italian composer, lutenist and singer of the late Renaissance. She is the first female composer to have had a whole book of her music printed and published in the history of western music.
  • 1548

    Tomás Luis de Victoria

    Tomás Luis de Victoria
    Tomás Luis de Victoria was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy Week". As a Catholic priest, as well as an accomplished organist and singer, his career spanned both Spain and Italy. He preferred the life of a composer to that of a performer.
  • 1557

    Giovanni Gabrieli

     Giovanni Gabrieli
    Giovanni Gabrieli was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift from Renaissance to Baroque idioms.
  • 1566

    Carlo Gesualdo

    Carlo Gesualdo
    Carlo Gesualdo was Prince of Venosa and Count of Conza. As a composer he is known for writing madrigals and pieces of sacred music that use a chromatic language not heard again until the late 19th century. He is also known for killing his first wife and her aristocratic lover upon finding them in flagrante delicto.
  • 1567

    Claudio Monteverdi

    Claudio Monteverdi
    Claudio Monteverdi was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history.
  • Giacomo Carissimi

    Giacomo Carissimi
    Giacomo Carissimi was an Italian composer and music teacher. He is one of the most celebrated masters of the early Baroque or, more accurately, the Roman School of music. Carissimi established the characteristic features of the Latin oratorio and was a prolific composer of masses, motets, and cantatas.
  • Barbara Strozzi

    Barbara Strozzi
    Barbara Strozzi was an Italian composer and singer of the Baroque Period. During her lifetime, Strozzi published eight volumes of her own music, and had more secular music in print than any other composer of the era. This was achieved without any support from the Church and with no consistent patronage from the nobility.
  • Stradivarius

    Stradivarius
    Stradivarius was an Italian luthier and a craftsman of string instruments such as violins, cellos, guitars, violas and harps. The Latinized form of his surname, Stradivarius, as well as the colloquial Strad are terms often used to refer to his instruments. It is estimated that Stradivari produced 1,116 instruments, of which 960 were violins. Around 650 instruments survive, including 450 to 512 violins.
  • Henry Purcel

    Henry Purcel
    Henry Purcel was an English composer of Baroque music.Purcell's musical style was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers,[4] Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers.
  • Antonio Vivaldi

    Antonio Vivaldi
    Antonio Vivaldi was an Italian composer, virtuoso violinist and impresario of Baroque music. Along with Johann Sebastian Bach and George Frideric Handel, Vivaldi ranks amongst the greatest Baroque composers and his influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programmatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom.
  • George Philipp Telemann

    George Philipp Telemann
    George Philipp Telemann was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving oeuvre. Telemann was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally.
  • Johann Sebastian Bach

    Johann Sebastian Bach
    Johann Sebastian Bach was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor.
  • Georg Friedrich Händel

    Georg Friedrich Händel
    Georg Friedrich Händel was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727.
  • Christoph Willibald Ritter von Gluck

    Christoph Willibald Ritter von Gluck
    Was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia,[1] both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna.
  • J. Haydn

    J. Haydn
    Was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio.[2] His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String Quartet".
  • Nannerl Mozart

    Nannerl Mozart
    Was a musician, the older sister of Wolfgang Amadeus Mozart (1756–1791) and daughter of Leopold (1719–1787) and Anna Maria Mozart (1720–1778).
  • W.A. Mozart

    W.A. Mozart
    Was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every Western classical genre of his time.
  • Maria Theresia Von Paradis

    Maria Theresia Von Paradis
    Was an Austrian musician and composer who lost her sight at an early age, and for whom her close friend Mozart may have written his Piano Concerto No. 18 in B-flat major. She was also in contact with Salieri, Haydn, and Gluck.
  • Ludwig van Beethoven

    Ludwig van Beethoven
    Was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. Beethoven's career has conventionally been divided into early, middle, and late periods.
  • Rossini

    Rossini
    Was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
  • Schubert

    Schubert
    Was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.
  • Hector Berlioz

    Hector Berlioz
    Was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid genres such as the "dramatic symphony" Roméo et Juliette and the "dramatic legend" La Damnation de Faust.
  • Felix Mendelssohn

    Felix Mendelssohn
    Was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.
  • Schumann

    Schumann
    Was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream.
  • Frédéric Chopin

    Frédéric Chopin
    Was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation".
  • Listz

    Listz
    Was a Hungarian composer, virtuoso pianist, conductor, and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded.
  • Giuseppe Verdi

    Giuseppe Verdi
    Was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti, whose works significantly influenced him.
  • Wagner

    Wagner
    Was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works
  • Clara Schumann

    Clara Schumann
    Was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works.
  • Smetana

    Smetana
    Smetana was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival". He has been regarded in his homeland as the father of Czech music.
  • Johannes Brahms

    Johannes Brahms
    Was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
  • Musorgski

    Musorgski
    Musorgski was a Russian composer, one of the group known as "The Five". He was an innovator of Russian music in the Romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.
  • Pyotr Ilyich Tchaikovsky

    Pyotr Ilyich Tchaikovsky
    Was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin.
  • Dvorak

    Dvorak
    Dvorak was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them,"[1] and he himself has been described as "arguably the most versatile... composer of his time".
  • Grieg

    Grieg
    Grieg was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia.
  • Nikolai Rimsky-Korsakov

    Nikolai Rimsky-Korsakov
    Nikolai Rimsky-Korsakov was a Russian composer, a member of the group of composers known as The Five.[c] He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas.
  • Puccini

    Puccini
    Was an Italian composer known primarily for his operas. Regarded as the greatest[2] and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era
  • Hugo Wolf

    Hugo Wolf
    Was an Austrian composer, particularly noted for his art songs, or Lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music, somewhat related to that of the Second Viennese School in concision but diverging greatly in technique.
  • Gustav Mahler

    Gustav Mahler
    Was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century.
  • Debussy

    Debussy
    Debussy was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
  • Sibelius

    Sibelius
    Sibelius was a Finnish composer of the late Romantic and early-modern periods. He is widely regarded as his country's greatest composer, and his music is often credited with having helped Finland develop a stronger national identity when his country was struggling from several attempts at Russification in the late 19th century.
  • Schönberg

    Schönberg
    Arnold Schoenberg was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published.
  • Ravel

    Ravel
    Ravel was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.
  • Manuel de Falla y Matheu

    Manuel de Falla y Matheu
    was an Andalusian Spanish composer and pianist. Along with Isaac Albéniz, Francisco Tárrega, and Enrique Granados, he was one of Spain's most important musicians of the first half of the 20th century. He has a claim to being Spain's greatest composer of the 20th century, although the number of pieces he composed was relatively modest.
  • Béla Bartók

    Béla Bartók
    Béla Bartók was a Hungarian composer, pianist and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers.
  • Kódaly

    Kódaly
    Kódaly was a Hungarian composer, ethnomusicologist, music pedagogue, linguist, and philosopher. He is well known internationally as the creator of the Kodály method of music education.
  • Joaquín Turina

    Joaquín Turina
    Turina was born in Seville. He studied in Seville as well as in Madrid. He lived in Paris from 1905 to 1914 where he took composition lessons from Vincent d'Indy at the Schola Cantorum de Paris and studied the piano under Moritz Moszkowski. Like his countryman and friend, Manuel de Falla, while in Paris he familiarized himself with the impressionist composers Maurice Ravel and Claude Debussy, whose music had a profound influence on his compositional practice.
  • Stravinsky

    Stravinsky
    Stravinsky was a Russian composer and conductor with French citizenship (from 1934) and United States citizenship (from 1945). He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music.
  • Heitor Villa-Lobos

    Heitor Villa-Lobos
    Heitor Villa-Lobos was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music".[1] Villa-Lobos has become the best-known South American composer of all time.[2] A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959.
  • Gershwin

    Gershwin
    Gershwin was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), the songs "Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera Porgy and Bess (1935), which included the hit "Summertime".
  • Messiaen

    Messiaen
    Messiaen was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex. Harmonically and melodically, he employed a system he called modes of limited transposition, which he abstracted from the systems of material his early compositions and improvisations generated.
  • Pierre Schaeffer

    Pierre Schaeffer
    Pierre Schaeffer was a French composer, writer, broadcaster, engineer, musicologist, acoustician and founder of Groupe de Recherche de Musique Concrète (GRMC). His innovative work in both the sciences—particularly communications and acoustics—and the various arts of music, literature and radio presentation after the end of World War II, as well as his anti-nuclear activism and cultural criticism garnered him widespread recognition in his lifetime.
  • John Cage

    John Cage
    John Cage was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century.
  • Pierre Henry

    Pierre Henry
    Pierre Henry Henry was born in Paris, France,[3] and began experimenting at the age of 15 with sounds produced by various objects. He became fascinated with the integration of noise into music, now called noise music. He studied with Nadia Boulanger, Olivier Messiaen, and Félix Passerone at the Conservatoire de Paris from 1938 to 1948.
  • Philip Glass

    Philip Glass
    Philip Glass is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century.[1][2][3][4] Glass's work has been associated with minimalism, being built up from repetitive phrases and shifting layers.[5][6] Glass describes himself as a composer of "music with repetitive structures",[7] which he has helped to evolve stylistically.