Jackson pollock 2

Jackson Pollock

  • Jackson Pollock is born

    Jackson Pollock is born
    Pollock was born in Cody, Wyoming in 1912, an the youngest of five sons. His parents, Stella May McClure and LeRoy Pollock, grew up in Tingley, Iowa. His father had been born McCoy but took the surname of his neighbors, who adopted him after his own parents had died within a year of each other. Stella and LeRoy Pollock were his adoptive parents.
  • Jackson and his brother and study under Thomas Hart Benton

    Jackson and his brother and study under Thomas Hart Benton
    In 1930, following his brother Charles Pollock, he moved to New York City where they both studied under Thomas Hart Benton at the Art Students League of New York. Benton's rural American subject matter shaped Pollock's work only fleetingly, but his rhythmic use of paint and his fierce independence were more lasting influences.
  • Male and Female

    Male and Female
    By the mid 1940s he was painting in a completely abstract manner. Here he partially used a liquid paint.
  • Moon Woman

    Moon Woman
  • Pollock married American painter Lee Krasner,

    Pollock married American painter Lee Krasner,
  • Eyes in the Heat

    Eyes in the Heat
    The `drip and splash' style for which he is best known emerged with some abruptness in 1946.
  • Number 8

    Number 8
    Number 8, 1949 (detail)
    1949 (280 Kb); Oil, enamel, and aluminum paint on canvas; Neuberger Museum, State University of New York
  • Painting Process

    Painting Process
    he began painting with his canvases laid out on the studio floor, and he developed what was later called his "drip" technique, turning to synthetic resin-based paints called alkyd enamels, which, at that time, was a novel medium. Pollock described this use of household paints, instead of artist’s paints, as "a natural growth out of a need."[15] He used hardened brushes, sticks, and even basting syringes as paint applicators. Pollock's technique of pouring and dripping paint is thought to be one
  • Easter and the Totem and abandoning the drip style

    Easter and the Totem and abandoning the drip style
    He rocketed to popular status following an August 8, 1949 four-page spread in Life magazine that asked, "Is he the greatest living painter in the United States?" At the peak of his fame, Pollock abruptly abandoned the drip style. Easter and the Totem
    1953 (150 Kb); Oil on canvas, 84 1/4 x 58 in; The Museum of Modern Art, New York
  • Jackson dies in a car crash

    Jackson dies in a car crash
    Jackson, an alcoholic dies in a drunk driving accident.