The Modern Age

By israa.douh
  • Aug 7, 1420

    Florence Cathedral's dome

    Florence Cathedral's dome
    The dome was built between 1420 and 1436 to a plan by Filippo Brunelleschi, and is still the largest masonry vault in the world, but the admirable innovation of Brunelleschi was to create it without reinforcements in wood, since none could have sustained a cupola of this size. It is an octagonal structure in stone and brick masonry, with external diameter 54.8 metres and interior diameter 45.5 metres.
  • 1498

    Pietá

    Pietá
    Michelangelo's Pietà, created between 1498 and 1499 and located in St. Peter's Basilica, is the only work the sculptor signed. It depicts the Virgin Mary holding Jesus's body after the Crucifixion, combining classical beauty with Renaissance naturalism. The Virgin is represented larger than Christ in order to achieve harmony in the composition, despite the tragedy. The her hand covers him with a cloth, symbolizing his sanctity. Although her youth was criticized, it remains an iconic masterpiece.
  • 1509

    The School Of Athens

    The School Of Athens
    Raphael was a key figure of the Italian Renaissance, known for embodying classical ideals of balance and harmony in his art. While deeply interested in archaeology and ancient art, he subtly incorporated this knowledge into his works. His legacy is particularly significant in the depiction of Greek philosophers like Plato and Aristotle, for whom he created iconic visual representations. However, Raphael's works are often ambiguous, adding complexity and openness to varied interpretations.

  • The Defeat Of The Spanish Armada

    The Defeat Of The Spanish Armada
    The defeat of the Spanish Armada in 1588 marked a turning point in European history. Philip II's attempt to invade England with 150 ships was thwarted by English tactics, such as fire ships at the Battle of Gravelines. A lack of support and bad weather forced the Spanish retreat, leading to the loss of many ships. This defeat solidified Protestantism in England, weakened Spanish naval power, and paved the way for England's rise as a global maritime power.

  • Apollo and Daphne

    Apollo and Daphne
    Apollo and Daphne is a Baroque marble sculpture by Gian Lorenzo Bernini, created between 1622 and 1625 and displayed in the Borghese Gallery, Rome. It captures the moment from Ovid's Metamorphoses when Daphne transforms into a laurel tree to escape Apollo. Commissioned by Cardinal Scipione Borghese and completed with help from Bernini’s student Giuliano Finelli, the sculpture explores themes of pursuit, escape, and transformation, symbolizing Apollo’s unrequited love and Daphne’s eternal glory.