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May 20, 1400
Renaissance
The Renaissance was a period of great creative and intellectual activity, during which artists broke away from the restrictions of Byzantine Art. Throughout the 15th century, artists studied the natural world in order to perfect their understanding of such subjects as anatomy and perspective. Among the many great artists of this period were Sandro Botticelli, Domenico Ghirlandaio, Paolo Uccello and Piero della Francesca. During this period there was a related advancement of Gothic Art centere -
Period: May 20, 1550 to
The Baroque Era
Baroque artBaroque Art developed in Europe around 1600, as an reaction against the intricate and formulaic Mannerism that dominated the Late Renaissance. Baroque art is less complex, more realistic and more emotionally affecting than Mannerist art. This movement was encouraged by the Catholic Church, the most important patron of the arts at that time, being seen as a return to tradition and spirituality. One of the great periods of art history, Baroque Art was developed by Caravaggio,Gianlorenzo Bernini -
Period: to
Academic Art
Academic art movementAcademic Art is the painting and sculpture produced under the influence of the Academies in Europe and especially France, where many artists received their formal training. It is characterized by its highly polished style, its use of mythological or historical subject matter, and its moralistic tone. Neoclassical Art was also closely associated with the Academies. The term "Academic Art" is associated particularly with the French Academy and the 19th century salons at which art was submitted fo -
Period: to
Impressionism
ImpressionismImpressionism is a light, spontaneous manner of painting which began in France as a reaction against the restrictions and conventions of the dominant Academic art. Its naturalistic and down-to-earth treatment of its subject matter, most commonly landscapes, has its roots in the French Realism of Camille Corot and others. The movement's name was derived from Monet's early work, Impression: Sunrise, which was singled out for criticism by Louis Leroy upon its exhibition. The hallmark of the style