-
3000 BCE
Ancient Egypt (Predynastic Period)- Palette of King Narmer
-Unification
-Value of body representation/Composite View
-Strength -
2500 BCE
Ancient Egypt (Old Kingdom)- Great Pyramids of Gizeh
-Divinity of Pharaoh
-Wealth
-Soul residence and reminder of afterlife -
2254 BCE
Ancient Near East- Victory stele of Naram-Sin
-Power
-Piety/godlike sovereignty
-Triumph -
1473 BCE
Ancient Egypt (New Kingdom)- Mortuary temple of Hatsheput
-Architecturally innovative
-Honor after death
-Place to worship -
600 BCE
Ancient Greece (Archaic Period)- Kouros, ca. 600 BCE. Marble.
-Stiff
-Frontal
-Unsuccessful attempt at movement -
450 BCE
Ancient Greece (Classical Period)- Polykleitos, Doryohoros
-Contrapposto
-Idealistic beauty
-Movement -
300 BCE
Etruscan- Interior of the Tomb of the Reliefs, Cerveteri, Italy.
-Few preservations from attack
-Afterlife (like Egypt)
-Wealth -
150 BCE
Ancient Greece (Hellenistic Period)- Alexandros of Antioch-on-the-Meander, Aphrodite (Venus de Milo).
-Sexuality in goddess
-Nude female form
-Idealistic beauty
-Movement -
75 BCE
Ancient Rome (Rebublic)- Head of Roman patrician
-Expression
-Emotion
-Superrealistic -
13 BCE
Ancient Rome (Early Empire)- Ara Pacis Augustae (Altar of Augustan Peace)
-Patronage
-Peace
-Relief sculpture meets architecture (more boldly than in Greek) -
118
Ancient Rome (High Empire)- The Pantheon
- Pinnacle
- Peace
- Prosperity
-
300
Late Antiquity- Old Saint Peter's Basillica
-Basilica and Central Plan
-Shift to monotheism
-Religion -
312
Ancient Rome (Late Empire)- Arch of Constantine
-Power
-Militaristic Strength
-Triumph -
550
Byzantium- Virgin (Theotokos) and Child between Saints Theodore and George
-Byzantine frontality
-Expressionless
- Survived iconoclasm -
698
Early Medieval- Saint Matthew, folio 25 verso of the Lindisfarne Gospels
-Illuminated manuscription
-Evangelists
-Abstraction -
1070
Romanesque- Saint Sernin
-Pilgrimages
-Crusades
-Prosperity -
1200
Gothic- Notre-Dame
-Church Architecture
-Pilgrimages
-Virgin Mary -
1305
Gothic to Renaissance Transition- Giotto Di Bondone, Lamentation
-Volume
-Theatricality
-Weight -
1432
15th-Century Art in Northern Europe and Spain- Jan Van Eyck, Ghent Altarpiece
-Piety
-Passion
-Politics -
1485
15th-Century Italian Art- Verrocchio's Bartolommeo Colleoni (equestrian statue)
-Individual potential
-Humanism
-Power (physically and through knowledge and superiority) -
1510
High Renaissance- Raphael's "Philosophy" (School of Athens)
-Beauty
-Science
-Spirit
-Knowledge -
Reformation in 16th century N. Europe and Spain- El Greco "The Burial of Count Orgaz"
-Mannerism (first appearance of)
-Secular VS. Spiritual
-Expressive -
Baroque- Peter Paul Rubens "The Allegory of the Outbreak of War"
-Drama
-Theatricality
-Emotion -
Rococo- Jean-Honore Fragonard "The Swing"
-Sensual
-Flamboyant
-Playful
-Extravagance -
Revival of Classicism- Aneglica Kauffmann "Cornelia Presenting Her Children as Her Treasures"
-Rationality
-Virtue
-Morality -
Romanticism- Eugene Delacroix "Liberty Leading the People"
-Nationalism
-Intense Feeling
-Freedom (of political, feeling, thought, action, worship, speech, taste, etc. -
Realism- Edouard Manet "Olympia"
-Naturalistic
-True
-Visually representative -
Impressionism- Gustave Calliebotte "Paris: A Rainy Day"
-Capturing a moment
-Glimpse
-Cinematic -
Post-Impressionism- Vincent Van Gogh "Starry Night"
-Artistically Expressive (form and color)
-Traditional
-Pictorial order -
Symbolism- Edvard Munch "The Cry" or "The Scream"
-Imagination
-Expression
-Form -
Fauvism- Henry Matisse "Woman with the Hat"
-Emotion
-Expression
-Color -
Abstraction- Pablo Picasso "Les Demoiselles d'Avignon"
-Illusionistic
-Ambiguous but recognizable
-Expressionistic -
German Expressionism- Emil Nolde "Saint Mary of Egypt among Sinners"
-Expressiveness
-Distortions of form
-Ragged outline
-agitated brush strokes -
Futurism- Umberto Boccioni "Unique Forms of Continuity in Space"
-Sociopolitical
-war=cleansing agent
-Radical innovation
-Modern technology -
New Objectivity- Max Beckmann "Night"
-War
-Artist's experience influenced
-Direct and honest (exposes effects of war) -
De Stijl- Piet Mondrian "Composition with Red, Blue, and Yellow"
-Utopian ideals
-new age post WW1
-Universal reality -
Art Deco- William van Allen "Chrysler Building"
-Ornamentation
-Architectural "fine art"
-Simple, aerodynamic form -
Surrealism- Salvador Dali "The Persistence of a Memory"
-Question-provoking
-Unreal
-Imaginative -
Dadaism- Marcel Duchamp "Fountain"
-"What is art?"
-Absurdity
-Irrational and nonsensial -
Cubism- Georges Braque "The Portuguese"
-Multi-perspective
-Rejection of naturalistic depictions
-Abstract shapes and forms