-
Period: 1550 to
De'Calvelieri
c. 1550-1602, early -
Period: 1551 to
Caccini
Early -
Period: 1557 to
Gabrieli
c. 1557-1612, Early -
Period: 1560 to
Viadana
c. 1560-1637, Early -
Period: 1560 to
Praetorius
Early -
Period: 1561 to
Peri
Early -
Period: 1562 to
Bull
c. 1562-1628, Early -
Period: 1563 to
Dowland
c. 1563-1626, Early -
Period: 1564 to
Hassler
Early -
Period: 1564 to
Shakespeare
Early -
Period: 1567 to
Monteverdi
Early -
Period: 1567 to
Campion
Early -
Period: 1568 to
Banchieri
Early -
Period: 1570 to
Rossi
c. 1570-c. 1630, Early -
Period: 1580 to
Agazzari
c. 1580-1642, Early -
Period: 1582 to
Gagliano
Early -
Period: 1582 to
D'india
c. 1582-1629, Early -
Period: to
Gibbons
Early -
Period: to
Frescobaldi
Early -
Period: to
Schütz
Middle -
Period: to
Schein
Early -
Period: to
Scheidt
Early -
Period: to
Manelli
c. 1595/97-1667, Early -
Period: to
Early Baroque Era
-
Period: to
Genres of the Early Baroque Era
Opera, Ballets, Masses, Magnificats, Vespers, Motets, Madrigals, Cantatas, Oratorios -
Period: to
Stylistic Traits of the Early Baroque Era
Primarily Homophony/Polyphony, Rhythyms were often free, It was the beginnings of true tonality, Used Poetic Form and Binary Form, Musical markings were starting to be implemented, Lots of contrast, Basso continuo was used -
Period: to
Cavalli
Middle -
Period: to
Carissimi
Early -
Galileo Discovers Saturn's Rings
-
Period: to
Du Mont
c. 1610-1684, Middle -
Period: to
Strozzi
-
Period: to
Locke
c. 1621-1677, Middle -
Period: to
Bontempi
c. 1625-1705, Middle -
Period: to
Legrenzi
Middle -
Period: to
Kerll
Middle -
Period: to
Baltzar
c. 1631-1663, Middle -
Period: to
Lully
Middle -
Period: to
Buxtehude
c. 1637-1707, Middle -
Period: to
J.C. Bach
Middle -
Period: to
Charpentier
Middle -
Period: to
Blow
1648/49-1708, Middle -
Period: to
Middle Baroque Era
-
Period: to
Genres of the Middle Baroque Era
Cantatas, Operas, Concerto, Sonata, Trio, Ballets -
Period: to
Stylistic Traits of the Middle Baroque Era
Recitative Melodies, Basso Continuo, Tonal System, Homophony/Polyphony, Ritornellos, Strings were the dominant instrument -
Period: to
Corelli
Middle -
Period: to
Pachelbel
Middle -
Period: to
Steffani
Middle -
Period: to
Torelli
Middle -
Period: to
Purcell
Middle -
Period: to
Scarlatti
Late -
Period: to
Kuhnau
Late -
Period: to
Ariosti
Late -
Period: to
Couperin
Late -
Period: to
Caldara
c. 1670-1736, Late -
Period: to
Albinoni
1671-1750/51, Late -
Period: to
Keiser
Late -
Period: to
Vivaldi
Late -
Period: to
Telemann
Late -
Period: to
Rameau
Late -
Period: to
J. S. Bach
Late -
Period: to
Handel
Late -
Period: to
Scarlatti
Late -
Period: to
Porpora
Late -
Salem Witch Trials
-
Period: to
Tartini
Late -
Period: to
Vinci
c. 1696-1730, Late -
Period: to
Quantz
Late -
Piano is Invented
c. 1700 -
Period: to
Late Baroque Era
-
Period: to
Genres of the Late Baroque Era
Opera, Cantata, Oratorio, Concerto, Sonata -
Period: to
Stylistic Traits of the Late Baroque Era
Fortspinning, Basso Continuo, Steady tempos, 16th Notes, Diatonic system established, Polyphony/Homophony, Ritornello, Fuges, Da Capo Arias, Binary Form, "Hair pins" -
Period: to
Martini
Late -
Period: to
Pergolesi
Late -
Tuning Fork is Invented