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1971 BCE
Gabrielle Chanel died
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1960 BCE
designers found inspiration in factory work clothes --> led to ready-to-wear
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1944 BCE
Paul Poiret dies
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1929 BCE
Poirest house was closed
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1926 BCE
Canel's little black dress
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1925 BCE
Poiret had begun to sound like a curmudgeon, holding forth against chemise dresses
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1924 BCE
channel opened her own jewelry workshop,
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1921 BCE
Chanel's first perfume: Chanel Nr 5
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1908 BCE
Poiret introduced his lean, high- waisted silhouette
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1907 BCE
The Poiret rose (reduced to its simplest elements of overlapping curving lines) may have appeared for the first time
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1903 BCE
Poiret opened his own couture house
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1901 BCE
Poiret joined the House of Worth
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1890 BCE
Late 19th cent. french fashion again powerful
sewing skills -
1883 BCE
Gabrielle Chanel was born
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1879 BCE
Paul Poiret was born
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1805 BCE
Jacquard loom for weaving patterned fabrics was invented
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1804 BCE
Napoléon proclaimed himself emperor
neoclassical style was a thin, low-cut white muslin sheath with a high waistline and low neckline, imitating the clinging drapery of classical statues -
1799 BCE
Napoléon Bonaparte staged a coup d’état
accessories resemble those worn in Egypt and the Middle East
encouraged sartorial allusions and comparisons to the Greek and Roman empires as a way of legitimizing and glorifying his own reign -
1793 BCE
1793 - 1814 France was at war with its European neighbors
France was at war with its European neighbors 1793 - 1814 french power of fashion -
1789 BCE
french revolution
Previously, men had dressed as ornately as women, wearing lace, embroidery, high heels, bright colors, and elaborate wigs. The Revolution introduced a new spirit of austerity, transforming men from strutting peacocks into sober, serious citizens of the new order. Neoclassicism played an important part in this transformation. -
poirets 1,002-night ball
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Martine, named after one of Poiret's daughters, opened 1 April 1911 as a school of decorative art
Martine, named after one of Poiret's daughters, opened 1 April 1911 as a school of decorative art -
vogue wrote
"When Chanel, the sponsor of the straight, chemise dress and the boyish silhouette, uses little, rippling capes on her fur coats and a high waist-line and numerous ruffles on an evening gown, then you may be sure that the feminine mode is a fact and not a fancy"