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Period: 476 to 1430
Middle Ages
Music was used all throughout the church during this time period. There was also a blooming popular music culture. Most composers were poets and melody was primarily used to convey words.
chant. -
Period: 476 to 1430
Middle Ages Stylistic traits and Genres
Genres: Secular, ballads, lais, rondeaux, virelais, madrigals, and chant. Stylistic traits: Almost purely functional music designed for specific services, dances, or for entertainment. Melodies are only over a short range. Stead and regular rhythms. Harmonies not technically established yet, but common intervals used are the 4th, 5th, and 8ves. Monophonic. Text and poetic form determined musical structure. -
Period: 481 to 524
Boethius
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Period: 991 to 1033
Arrezzo
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Period: 995 to 1050
Wipo
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Period: 1071 to 1126
William IX
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Period: 1098 to 1179
Bingen
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Period: 1130 to 1190
Ventadorn
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Period: 1135 to 1201
Leonin
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Period: 1140 to 1212
Comtessa de Dia
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Period: 1150 to 1200
Daniel
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Period: 1155 to 1200
Nesle
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Period: 1160 to 1213
Brule
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Period: 1170 to 1230
Vogelweide
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Period: 1180 to 1238
Perotin
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Period: 1180 to 1278
Cardenal
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Period: 1183 to 1205
Vidal
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Period: 1190 to 1236
Reuental
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Period: 1213 to 1239
D'arras
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Period: 1221 to 1284
Alfonso X
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Period: 1230 to 1300
Riquier
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Period: 1245 to 1285
Halle
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Period: 1291 to 1361
Vitry
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Period: 1300 to 1377
Machaut
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Period: 1300 to 1350
The Ars Nova in France
Translates to the new art. It focused on compositional techniques like isorhythm and hocket. -
Period: 1300 to 1399
The Trecento in Italy
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Period: 1320 to 1362
Firenze
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Period: 1325 to 1397
Landini
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Period: 1337 to 1453
Hundred Years War
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Period: 1340 to 1386
Bologna
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Period: 1376 to 1445
Wolkenstein
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Period: 1380 to 1440
Cordier
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Period: 1390 to 1453
Dunstaple
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Period: 1397 to 1474
DuFay
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Period: 1400 to 1460
Binchois
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Period: 1410 to 1497
Ockeghem
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Period: 1430 to
The Renaissance
Secular music became more popular and widespread during this time period. Polyphony was the primary texture in most genres. Melodies were without number and simultaneous, so often obscured. In the 1500s, early versions of homophony appeared. Most composers wrote masses, motets, madrigals (after 1540). The madrigal is where people experimented and lead into the Baroque style. New tuning systems invented. -
Period: 1430 to
Renaissance Stylistic traits and genres
Genres: ballet, balletti, chant, masses, motets, hymns, secular, and sacred. Stylistic traits: top voice usually chosen as melodic voice. Rhythm was quite simple. Progressions of 3rds and 6ths. Dissonances were not encouraged. Tonal system was modality. Homorhythm. Counterpoint. Few forms: cantus firmus, poetic strophic, binary, madrigals. Purpose shifted from function to beauty. -
Period: 1445 to 1518
Compere
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Period: 1446 to 1506
Agricola
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1450
Printing press invented
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Period: 1450 to 1521
Prez
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Period: 1450 to 1517
Isaac
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Period: 1452 to 1518
DeLaRue
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Period: 1457 to 1505
Obrecht
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Period: 1460 to 1512
Brumel
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Period: 1465 to 1525
Cara
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Period: 1466 to 1539
Petrucci
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Period: 1470 to 1534
Tromboncino
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Period: 1483 to 1546
Luther
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Period: 1485 to 1558
Janequin
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Period: 1490 to 1545
Taverner
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Period: 1490 to 1562
Sermisy
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Period: 1490 to 1562
Willaert
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Period: 1494 to 1576
Sachs
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Period: 1500 to 1553
Morales
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Period: 1507 to 1568
Arcadelt
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Period: 1515 to 1565
Rore
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Period: 1517 to
Zarlino
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Period: 1521 to
Monte
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Period: 1525 to
Palestrina
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Period: 1532 to
Lasso
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Period: 1532 to
Gabrieli
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Period: 1534 to
Bardi
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Period: 1535 to
Wert
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Period: 1535 to
Ingegneri
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Period: 1536 to
Striggio
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Period: 1540 to
Byrd
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Period: 1545 to
Luzzaschi
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Period: 1548 to
Victoria
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Period: 1553 to
Marenzio
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Period: 1554 to
Gastoldi
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Period: 1557 to
Morley
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Period: 1559 to
Beaulieu
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Period: 1560 to
Nanino
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Period: 1561 to
Gesualdo
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Period: 1562 to
Sweelinck
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Period: 1567 to
Monteverdi
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Period: 1571 to
Salmon
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Period: 1576 to
Weelkes