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  • Period: 800 BCE to 146 BCE

    Greece music

    music had a great development and an art closely linked to theatrical representation
  • 1 BCE

    Jesuschrist birth

  • Period: 400 to 1400

    Middle age

    Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages,[1] from approximately the 6th to 15th centuries. the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into Early (500–1150), High (1000–1300), and Late (1300–1400) medieval music.
  • 476

    end of ancient age

  • 800

    poliphony

    polyphony is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony.
  • 900

    gregorian chant creation

    Gregorian chant or Ara Garen is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it
  • 1033

    Guido d´Arezzo

    was an Italian music theorist and pedagogue of High medieval music. A Benedictine monk, he is regarded as the inventor—or by some, developer—of the modern staff notation that had a massive influence on the development of Western musical notation and practice.[1][2] Perhaps the most significant European writer on music between Boethius and Johannes Tinctoris,[3] after the former's De institutione musica, Guido's Micrologus was most widely distributed medieval treatise on music.[4]
  • 1089

    Hildegard of Bingen

    also known as Saint Hildegard and the Sibyl of the Rhine, was a German Benedictine abbess and polymath active as a writer, composer, philosopher, mystic, visionary, and as a medical writer and practitioner during the High Middle Ages.[1][2] She is one of the best-known composers of sacred monophony, as well as the most recorded in modern history.[3] She has been considered by scholars to be the founder of scientific natural history in Germany.[4]
  • 1151

    Leonin

    was the first known significant composer of polyphonic organum. He was probably French, probably lived and worked in Paris at the Notre Dame Cathedral and was the earliest member of the Notre Dame school of polyphony and the ars antiqua style who is known by name. The name Léonin is derived from "Leoninus," which is the Latin diminutive of the name Leo; therefore it is likely that Léonin's given French name was Léo.
  • 1190

    Bernart de Ventadorn

    was a French poet-composer troubadour of the classical age of troubadour poetry.[1] Generally regarded as the most important troubadour in both poetry and music,[1] his 18 extant melodies of 45 known poems in total is the most to survive from any 12th-century troubadour.[2] He is remembered for his mastery as well as popularization of the trobar leu style, and for his prolific cançons,
  • 1200

    Ars antiqua

    The first polyphonic form : organum
  • 1200

    Perotin

    was a composer associated with the Notre Dame school of polyphony in Paris and the broader ars antiqua musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the introduction of three and four-part harmonies.
  • 1284

    Alfonso X

    was King of Castile, León and Galicia from 30 May 1252 until his death in 1284. During the election of 1257, a dissident faction chose him to be king of Germany on 1 April. He renounced his claim to Germany in 1275, and in creating an alliance with the Kingdom of England in 1254, his claim on the Duchy of Gascony as well.
  • 1300

    Ars nova

    Ars nova (Latin for new art)[2] refers to a musical style which flourished in the Kingdom of France and its surroundings during the Late Middle Ages. More particularly, it refers to the period between the preparation of the Roman de Fauvel (1310s) and the death of composer Guillaume de Machaut in 1377.
  • 1377

    Guillaume de Machaut

    was a French composer and poet who was the central figure of the ars nova style in late medieval music. His dominance of the genre is such that modern musicologists use his death to separate the ars nova from the subsequent ars subtilior movement.[1] Regarded as the most significant French composer and poet of the 14th century,[2][3] he is often seen as the century's leading European composer.[4]
  • 1397

    Fransesco Landini

    also known by many names) was an Italian composer, poet, organist, singer and instrument maker who was a central figure of the Trecento style in late Medieval music. One of the most revered composers of the second half of the 14th century, he was by far the most famous composer in Italy.
  • 1400

    Johannes Gutenberg

    He was a German goldsmith, inventor of the modern printing press.
  • Period: 1400 to

    Renaissance

    Is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity.
  • Jul 12, 1468

    Juan del Encina

    He was a poet, musician and playwright of the Spanish Renaissance at the time of the Catholic Monarchs. Along with the Gipuzkoan Juan de Anchieta, he is considered one of the greatest exponents of religious and secular polyphony in Spain at the end of the 15th century and beginning of the 16th. He reached great lyrical heights in his glosses and carols to which his invention is attributed.
  • Nov 10, 1483

    Martín Lutero

    He was a theologian, philosopher and Augustinian Catholic friar who began and promoted the Protestant Reformation in Germany and whose teachings inspired the theological and cultural doctrine called Lutheranism.
  • 1500

    Cristóbal de Morales

    He was a Spanish Catholic priest and chapel master, being the main representative of the Andalusian polyphonic school and one of the three greats, together with Tomás Luis de Victoria and Francisco Guerrero, of the Spanish polyphonic composition of the Renaissance.
  • 1510

    Antonio de Cabezón

    He was a blind Spanish organist, harpist and composer of the Renaissance.
  • Feb 3, 1525

    Giovanni Pierluigi da Palestrina

    He was an Italian Renaissance composer of sacred music and the best-known representative of the 16th-century Roman School of musical composition. He had a lasting influence on the development of church and secular music in Europe.
  • 1533

    Andrea Gabrieli

    She was an Italian composer and organist of the late Renaissance. The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the Venetian School of composers, and was extremely influential in spreading the Venetian style in Italy as well as in Germany.
  • 1544

    Maddalena Casulana

    was an Italian composer, violinist, and singer of the late Renaissance. She was the first female composer to have an entire exclusive volume of her music printed and published in Western music history.
  • 1548

    Tomás Luis de Victoria

    He was a Catholic priest, chapel master and famous polyphonic composer of the Spanish Renaissance. He has been considered one of the most important and advanced composers of his time, with an innovative style.
  • 1556

    Giovanni Gabrieli

    was an Italian composer and organist, born and died in Venice. One of the most influential musicians of his time, he represents the culmination of the Venetian school, taking part in the transition from Renaissance music to Baroque music.
  • Mar 8, 1566

    Carlo Gesualdo

    He was an Italian composer, one of the most significant figures in the music of the late Renaissance with intensely expressive madrigals and pieces of sacred music with a chromatism that would not be heard again until the end of the 19th century.
  • Orlando di Lasso

    He was a Franco-Flemish composer of the late Renaissance. Along with Palestrina and Victoria, he is considered one of the most influential composers of the 16th century.
  • Period: to

    Baroque

    the period or dominant style of Western classical music composed from about 1600 to 1750.[1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late.
  • Barbara Strozzi

    was an Italian composer and singer of the Baroque Period. During her lifetime, Strozzi published eight volumes of her own music, and had more secular music in print than any other composer of the era.
  • Antonio Vivaldi

    was an Italian composer, virtuoso violinist and impresario of Baroque music.[4] Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programatic music.
  • George Frideric Handel

    was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos.
  • Johann Sebastian Bach

    was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites
  • Christoph Willibald Gluck

    Christoph Willibald Gluck
    Christoph Willibald (Ritter von) Gluck (German: [ˈkʁɪstɔf ˈvɪlɪbalt ˈɡlʊk]; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna
  • Joseph Haydn

    Joseph Haydn
    was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio.[2] His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String Quartet".[3][4]
  • Maria Anna (Marianne) Mozart

    Maria Anna (Marianne) Mozart
    Maria Anna (Marianne) Mozart was born in Salzburg. When she was seven years old, her father Leopold Mozart started teaching her to play the harpsichord. Leopold took her and Wolfgang on tours of many cities, such as Vienna and Paris, to showcase their talents. In the early days, she sometimes received top billing, and she was noted as an excellent harpsichord player and fortepianist.
  • Wolfgang Amadeus Mozart

    Wolfgang Amadeus Mozart
    Wolfgang Amadeus Mozart[n 1] (27 January 1756 – 5 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart,[n 2] was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire.
  • Maria Theresia von Paradis

    Maria Theresia von Paradis
    Maria Theresia von Paradis (May 15, 1759 – February 1, 1824) was an Austrian musician and composer who lost her sight at an early age, and for whom her close friend Mozart may have written his Piano Concerto No. 18 in B-flat major. She was also in contact with Salieri, Haydn, and Gluck.
  • Ludwig van Beethoven

    Ludwig van Beethoven
    Ludwig van Beethoven[n 1] (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. .
  • Antonio Rossini

    Antonio Rossini
    Gioachino[n 1] Antonio Rossini[n 2] (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
  • Franz Peter Schubert

    Franz Peter Schubert
    Franz Peter Schubert (German: [ˈfʁant͡s ˈpeːtɐ ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.
  • Berlioz

    Berlioz
    Louis-Hector Berlioz[n 1] (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy.
  • Felix Mendelssohn

    Felix Mendelssohn
    Jakob Ludwig Felix Mendelssohn Bartholdy[n 1] (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn,[n 2] was a German composer, pianist, organist and conductor of the early Romantic period.
  • Frédéric François Chopin[

    Frédéric François Chopin[
    Frédéric François Chopin[n 1] (born Fryderyk Franciszek Chopin;[n 2][n 3] 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation".[5]
  • Robert Schumann

    Robert Schumann
    Robert Schumann[a] (German: [ˈʁoːbɛʁt ˈʃuːman]; 8 June 1810 – 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist.but a hand injury ended this dream. Schumann then focused his musical energies on composing
  • Franz Liszt

    Franz Liszt
    Franz Liszt[n 1] (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era and remains one of the most popular composers in modern concert piano repertoire.[1]
  • Wilhelm Richard Wagner

    Wilhelm Richard Wagner
    Wilhelm Richard Wagner (/ˈvɑːɡnər/ VAHG-nər;[1][2] German: [ˈʁɪçaʁt ˈvaːɡnɐ] (listen); 22 May 1813 – 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein
  • Giuseppe Fortunino Francesco Verdi

    Giuseppe Fortunino Francesco Verdi
    Giuseppe Fortunino Francesco Verdi (Italian: [dʒuˈzɛppe ˈverdi]; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him.
  • Clara Schumann

    Clara Schumann
    Clara Josephine Schumann ([ˈklaːʁa ˈʃuːman]; née Wieck; 13 September 1819 – 20 May 1896) was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era.
  • Smetana

    Smetana
    Bedřich Smetana (/ˌbɛdərʒɪx ˈsmɛtənə/ BED-ər-zhikh SMET-ə-nə,[1][2][3] Czech: [ˈbɛdr̝ɪx ˈsmɛtana] (listen); 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival."
  • Johannes Brahms

    Johannes Brahms
    Johannes Brahms (German: [joˈhanəs ˈbʁaːms]; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
  • Mussorgsky

    Mussorgsky
    Modest Petrovich Mussorgsky (21 March [O.S. 9 March] 1839 – 28 March [O.S. 16 March] 1881) was a Russian composer, one of the group known as "The Five". He was an innovator of Russian music in the Romantic period.
  • Tchaikovsky

    Tchaikovsky
    Pyotr Ilyich Tchaikovskyn 2[n 3] was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally.
  • Dvořák

    Dvořák
    Antonín Leopold Dvořák (/d(ə)ˈvɔːrʒɑːk, -ʒæk/ d(ə-)VOR-zha(h)k; Czech: [ˈantoɲiːn ˈlɛopold ˈdvor̝aːk] (listen); 8 September 1841 – 1 May 1904) was a Czech Austro-Hungarian composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana.
  • Grieg

    Grieg
    Edvard Hagerup Grieg (/ɡriːɡ/ GREEG, Norwegian: [ˈɛ̀dvɑʈ ˈhɑ̀ːɡərʉp ˈɡrɪɡː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide.
  • Rimski Korskov

    Rimski Korskov
    Nikolai Andreyevich Rimsky-Korsakov[a] (18 March 1844 – 21 June 1908[b]) was a Russian composer, a member of the group of composers known as The Five.[c] He was a master of orchestration.
  • Giacomo Puccini

    Giacomo Puccini
    Giacomo Puccini[n 1] (22 December 1858 – 29 November 1924)[1] was an Italian composer known primarily for his operas. Regarded as the greatest[2] and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic verismo style, of which he became one of the leading exponents.
  • Hugo Wolf

    Hugo Wolf
    Hugo Philipp Jacob Wolf (13 March 1860 – 22 February 1903)[1] was an Austrian composer of Slovene origin, particularly noted for his art songs, or Lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music, somewhat related to that of the Second Viennese School in concision but diverging greatly in technique.
  • Gustav Mahler

    Gustav Mahler
    Gustav Mahler (German: [ˈmaːlɐ]; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century.
  • Debussy

    Debussy
    (Achille) Claude Debussy[n 1] (French: [aʃil klod dəbysi]; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
  • Sibelius

    Sibelius
    Jean Sibelius (/sɪˈbeɪliəs/ sib-AY-lee-əs;[1] Finland Swedish: [ˈjɑːn siˈbeːliʉs, ˈʃɑːn -] (listen); born Johan Julius Christian Sibelius;[2] 8 December 1865 – 20 September 1957) was a Finnish composer of the late Romantic and early-modern periods. He is widely regarded as his country's greatest composer, and his music is often credited with having helped Finland develop a national identity during its struggle for independence from Russia.
  • Schönberg

    Schönberg
    Arnold Schoenberg or Schönberg (/ˈʃɜːrnbɜːrɡ/, US also /ˈʃoʊn-/; German: [ˈʃøːnbɛɐ̯k] (listen); 13 September 1874 – 13 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century.
  • Ravel

    Ravel
    Joseph Maurice Ravel[n 1] (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.
  • Manuel de Falla

    Manuel de Falla
    Manuel de Falla y Matheu (Spanish pronunciation: [maˈnwel ðe ˈfaʎa], 23 November 1876 – 14 November 1946) was an Andalusian Spanish composer and pianist. Along with Isaac Albéniz, Francisco Tárrega, and Enrique Granados, he was one of Spain's most important musicians of the first half of the 20th century. He has a claim to being Spain's greatest composer of the 20th century.
  • Bartok

    Bartok
    Béla Viktor János Bartók (/ˈbeɪlə ˈbɑːrtɒk/; Hungarian: [ˈbɒrtoːk ˈbeːlɒ]; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers.
  • Stravinsky

    Stravinsky
    Igor Fyodorovich Stravinsky[a] (17 June [O.S. 5 June] 1882 – 6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music.
  • Kodály

    Kodály
    Kodály Zoltán, pronounced [ˈkodaːj ˈzoltaːn]; 16 December 1882 – 6 March 1967) was a Hungarian composer, ethnomusicologist, music pedagogue, linguist, and philosopher. He is well known internationally as the creator of the Kodály method of music education.
  • Joaquín Turina

    Joaquín Turina
    Joaquín Turina Pérez (9 December 1882 – 14 January 1949) was a Spanish composer of classical music.
  • Gershwin

    Gershwin
    George Gershwin (/ˈɡɜːrʃ.wɪn/; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres.
  • Messiaen

    Messiaen
    Olivier Eugène Prosper Charles Messiaen (UK: /ˈmɛsiæ̃/,[1] US: /mɛˈsjæ̃, meɪˈsjæ̃, mɛˈsjɒ̃/;[2][3][4] French: [ɔlivje øʒɛn pʁɔspɛʁ ʃaʁl mɛsjɑ̃]; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithologist who was one of the major composers of the 20th century.
  • Schaeffer

    Schaeffer
    Pierre Henri Marie Schaeffer (English pronunciation: /piːˈɛər ˈhɛnriː məˈriː ˈʃeɪfər/ (listen), French pronunciation: ​[ʃɛfɛʁ]; 14 August 1910 – 19 August 1995)[1] was a French composer, writer, broadcaster, engineer, musicologist, acoustician and founder of Groupe de Recherche de Musique Concrète (GRMC).
  • John Cage

    John Cage
    John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments.
  • Pierre Henry

    Pierre Henry
    Pierre Georges Albert François Henry (French pronunciation: ​[pjɛʁ ɑ̃ʁi]; 9 December 1927 – 5 July 2017)[1] was a French composer and pioneer of musique concrète.
  • Philip Glass

    Philip Glass
    Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century.[1][2][3][4] Glass's work has been associated with minimalism, being built up from repetitive phrases and shifting layers.
  • Heitor Villa-Lobos

    Heitor Villa-Lobos
    Heitor Villa-Lobos[a] (March 5, 1887 – November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music".[1] Villa-Lobos has become the best-known South American composer of all time.[