history of film

  • golden age of asian cinema

    golden age of asian cinema
    Following the end of World War II in the 1940s, the following decade, the 1950s, marked a 'Golden Age' for non-English world cinema.
  • The 'new hollywood' post classical cinema

    The 'new hollywood' post classical cinema
    The New Hollywood was the period following the decline of the studio system during the 1950s and 1960s and the end of the production code, (which was replaced in 1968 by the MPAA film rating system).
  • Sequels, blockbusters, and video tape

    Sequels, blockbusters, and video tape
    During the 1980s, audiences began increasingly watching films on their home VCRs. In the early part of that decade, the film studios tried legal action to ban home ownership of VCRs as a violation of copyright, which proved unsuccessful. Eventually, the sale and rental of films on home video became a significant "second venue" for exhibition of films, and an additional source of revenue for the film industries.
  • New special effects, independent films and DVDs

    New special effects, independent films and DVDs
    The early 1990s saw the development of a commercially successful independent cinema in the United States. Although cinema was increasingly dominated by special-effects films such as Terminator 2: Judgment Day (1991), Jurassic Park (1993) and Titanic (1997), the latter of which became the highest-grossing film of all time at the time up until "Avatar", also directed by James Cameron, independent films like Steven Soderbergh's Sex, Lies, and Videotape (1989) and Quentin Tarantino's Reservoir Dogs
  • When did filming start?

    The history of film began in the 1890s, with the invention of the first motion-picture cameras and the establishment of the first film production companies and cinemas.
  • Birth of movies

    The first films to consist of more than one shot appeared toward the end of the 19th century, a notable example was the French film of the life of Jesus Christ.
  • During WW1

    studios were blacked out to allow shooting to be unaffected by changing sunlight. This was replaced with floodlights and spotlights. The widespread adoption of irising-in and out to begin and end scenes caught on in this period. This is the revelation of a film shot in a circular mask, which gradually gets larger till it expands beyond the frame. Other shaped slits were used, including vertical and diagonal apertures. A new idea taken over from still photography was "soft focus". This began in
  • The sound era

    the rapid transition was a difficult one, and in some ways, film briefly reverted to the conditions of its earliest days. The late '20s were full of static, stagey talkies as artists in front of and behind the camera struggled with the stringent limitations of the early sound equipment and their own uncertainty as to how to utilize the new medium. Many stage performers, directors and writers were introduced to cinema as producers sought personnel experienced in dialogue-based storytelling. Many
  • recent years

    recent years
    The documentary film also rose as a commercial genre for perhaps the first time, with the success of films such as March of the Penguins and Michael Moore's Bowling for Columbine and Fahrenheit 9/11. A new genre was created with Martin Kunert and Eric Manes' Voices of Iraq, when 150 inexpensive DV cameras were distributed across Iraq, transforming ordinary people into collaborative filmmakers. The success of Gladiator lead to a revival of interest in epic cinema, and Moulin Rouge! renewed intere
  • Maturation

    The first successful permanent theatre showing only films was "The Nickelodeon", which was opened in Pittsburgh in 1905. By 1907 purpose-built cinemas for motion pictures were being opened across the United States, Britain and France. The films were often shown with the accompaniment of music provided by a pianist, though there could be more musicians. There were also a very few larger cinemas in some of the biggest cities.