History of Dominican movie

  • first appearance of the Dominican cinema

    first appearance of the Dominican cinema
    Curiel Theater of the northern city of Puerto Plata offers an exhibition of the cinematographic Lumièrenicano
  • first film shot in the Dominican Republic by a foreigner.

    first film shot in the Dominican Republic by a foreigner.
    In 1915 the Puerto Rican cameraman Rafael Colorado filmed Excursión de José de Diego to Santo Domingo, the first film shot in the Dominican Republic by a foreigne
  • the first Dominican fiction movie

    the first Dominican fiction movie
    In the history of silent Dominican cinema, the works of the photographer and editor Francisco Palau stand out. Together with Juan B. Alfonseca, the photographer Tuto Báez and the collaboration of the historian Bernardo Pichardo, in 1922 he produced the first Dominican fiction film,
  • premiere of the first Dominican movie

    premiere of the first Dominican movie
    Palau premiered on the night of February 16, 1923, and became the first Dominican film
  • "The ambushes of Cupid"

    "The ambushes of Cupid"
    This film, told in five acts, told the story of a couple of lovers who did not have the consent of the father of the bride, and forced the groom to make a funny plot so that the father can accept it. It was exhibited to the public on March 19, 1924
  • The first use of sound

    The first use of sound
    The first use of sound was a news film about the inauguration of President Rafael Leonidas Trujillo in 1930
  • documentaries for the regime.

    documentaries for the regime.
    Only in 1953, the filmmaker Rafael Augusto Sánchez Sanlley (Pupito), produced with the company "Cine Dominicano", thirteen documentaries for the regime
  • the dramatist Franklin Domínguez rolls his feature film La silla

    the dramatist Franklin Domínguez rolls his feature film La silla
    In 1963 the dramatist Franklin Domínguez rolls his feature film La silla, where he denounces the horrors of the Trujillo regime. After this filmic proposal a lapse of twenty-five years takes place until another Dominican product appears that bears witness to the will to formalize a Dominican filmography. Agliberto Meléndez, founder of the Cinemateca Nacional, filmed in 1988, his first feature A one-way ticket