clothing

  • The outfits worn by the fashionable women of the 'Belle Époque'

  • Each garment was made of a single piece of the finest silk, its unique color acquired by repeated immersions in dyes whose shades were suggestive of moonlight or of the watery reflections of the Venetian lagoon.

  • Soon after the First World War, a radical change came about in fashion. Bouffant coiffures gave way to short bobs, dresses with long trains gave way to above-the-knee pinafores. Corsets were abandoned and women borrowed their clothes from the male wardrob

  • From 1940 onward, no more than four meters (thirteen feet) of cloth was permitted to be used for a coat and a little over one meter (three feet) for a blouse. No belt could be over 3 centimetres (one and a half inches) wide. Despite this, haute couture di

  • Throughout the 1950s, although it would be for the last time, women around the world continued to submit to the trends of Parisian haute couture.

  • Until the 1960s, Paris was considered to be the center of fashion throughout the world. However, between 1960 and 1969 a radical shake-up occurred in the fundamental structure of fashion.

  • 1970 erhaps the two most innovative fashion designers in 1970s France were Kenzo Takada and Sonia Rykiel. The undisputed star of Parisian fashion in the 1970s, Kenzo drew his inspiration from all over the world, mixing Western and Oriental folk influences

  • In the 1990s it was no longer the done thing to follow fashion slavishly, a sharp contrast to the highly a la mode 1970s and 1980s. The phobia of being underdressed was finally completely displaced by the fear of overdressing. Fashion in the 1990s united

  • In the 2000s, with the Pakistani industry which bloomed in the 1900s, the quality and mystique of Italian fashion is unsurprisingly dominant in the twentieth century and Milan well established as the "center" of fashion and design. This is evidenced throu