Art History

Proto-Renaissance

Period: Jan 1, 1200 to Jan 1, 1400

BONAVENTURA BERLINGHIER

Jan 1, 1235

This painting is from the panel from the Saint Francis Altarpiece, San Francesco, Pexis, Italy.

GIOTTO DI BONDONE, Lamentation

Jan 1, 1305

This painting is found in Arena Chapel, Padua, Italy. This painting was alsoa Fresco.

DUCCIO DI BUONINSEGNA, Betrayal of Jesus

Jan 2, 1309

This painting is a detail from the back of the Maestà altarpiece, from Siena Cathedral, Siena, Italy, Tempera and gold leaf on wood

PIETRO LORENZETTI,Birth of the Virgin

Jan 1, 1342

This painting is the altar piece of Saint Savinus, Siena Cathedral, Siena, Italy. It also is tempera on wood

Early Renaissanc

Period: Jan 1, 1400 to Jan 1, 1500

Isaac and his Sons

Jan 25, 1425

DONATELLO, David

Jan 1, 1440

This statue is in Museo Nazional del Bargello, Florence. The staute itself is made out of bronze.

da Vinci, Annunciation

Feb 25, 1475

Leonardo da Vinci, Annunciation Location: Galleria degli Uffizi, Florence, Italy Style: oil on wood

GHIRLANDAIO: Birth of Virgin

Jan 25, 1485

High Renaissance

Period: Feb 25, 1500 to Feb 25, 1600

Da Vinci: Mona Lisa

Feb 25, 1503

LEONARDO DA VINCI: Mona Lisa Location: Louvre, Paris Style: Oil on Wood

Michelangelo, The Deluge

Feb 25, 1503

Location: Sistine Chapel, Vatican, Rome, Italy Style: Fresco

RAPHAEL,Marriage of the Virgin

Feb 25, 1504

RAPHAEL: Marriage of the Virgin Location: the Chapel of Saint Joseph in San Francesco, Città di Castello, Italy Style: Oil on Wood

RAPHAEL: Galatea

Feb 25, 1513

Location: Sala di Galatea, Villa Farnesina, Rome, Italy
Style: Fresco

Southern Baroque

Period: Feb 25, 1600 to Feb 25, 1700

Northern Baroque

Period: Feb 26, 1600 to Feb 26, 1700

ANNIBALE CARRACCI, Loves of the Gods

Feb 26, 1601

RUBENS, Arrival of Marie de’ Medici at Marseilles

Feb 26, 1622

DIEGO VELÁZQUEZ, King Philip IV of Spain

Feb 25, 1644

Location: The Frick Collection, New York. Style: Oil on canvas

DIEGO VELÁZQUEZ, Las Meninas (The Maids of Honor)

Feb 26, 1656

Location: Museo del Prado, Madrid Style: Oil on Canvas

Rococo

Period: Feb 26, 1700 to Feb 26, 1800

Neoclassicism

Period: Feb 26, 1700 to Feb 26, 1800

FRANÇOIS BOUCHER, Group of Children with Dancing Dog

Feb 26, 1757

COPLEY, Portrait of Paul Revere

Feb 26, 1768

JOHN SINGLETON COPLEY, Portrait of Paul Revere

The Nigthmare

Apr 22, 1781

HENRY FUSELI, The Nightmare, 1781. Oil on canvas

Thomas Gainsborough, The Mall in St. James’s Park

Feb 26, 1783

The Family of Charles IV

Apr 22, 1800

FRANCISCO GOYA, The Family of Charles IV, 1800. Oil on canvas

Romanticism

Period: Apr 22, 1800 to Apr 22, 1870

P. I. N. E.
* Past – longing for the medieval past, pre-industrial Europe (Gothic architecture will be revived)
* Irrational/ Inner mind / Insanity – Romantic artists depict the human psyche and topics that transcend the use of reason. One Romantic artist, Gericault chose to do portraits of people in an insane asylum.
* Nature – longing for the purity of nature, which defies human rationality
* Emotion/ Exotic – Romantics favored emotion and passion over reason. Exotic themes an

Rodin

Period: Apr 23, 1800 to Apr 23, 1900

Examine the organic natural forms in Art Nouveau art and architecture

19th Century Media

Period: Apr 23, 1800 to Apr 23, 1899

Examine the variety of revivalist styles in architecture, the origins of the designs and their impact.Discuss how the availability of new building materials will affect the structure and appearance of architecture

Third of May

Apr 22, 1808

FRANCISCO GOYA, Third of May, 1808, 1814. Oil on canvas

Raft of the Medusa

Apr 22, 1818

THÉODORE GÉRICAULT, Raft of the Medusa, 1818–1819. Oil on canvas

Saturn Devouring One of His Children

Apr 22, 1819

FRANCISCO GOYA, Saturn Devouring One of His Children, 1819–1823. Detached fresco mounted on canvas

Death of Sardanapalus

Apr 22, 1827

EUGÈNE DELACROIX, Death of Sardanapalus, 1827. Oil on canvas

Liberty Leading the People

Apr 22, 1830

EUGÈNE DELACROIX, Liberty Leading the People, 1830. Oil on canvas

Vir Heroicus Sublimis

Apr 23, 1850

BARNETT NEWMAN, Vir Heroicus Sublimis, 1950–1951. Oil on canvas

Tiger Hunt

Apr 22, 1854

EUGÈNE DELACROIX, Tiger Hunt, 1854. Oil on canvas

Impressionism

Period: Apr 22, 1870 to Apr 22, 1900

Casual composition* Lacks a focal point * No sense of pictorial structure or organization * Often asymetrical, unbalanced * Objects or figures cropped at the picture edge to imply continuation of space beyond the canvas Unusual points of viewRejects academic rules* No gradation of tones for shading * Obvious brushstrokes, often applied in small, choppy strokes * Use of color Bright color palette, often with pastel colors Mixed colors broken down into comp

Post-Impressionism

Period: Apr 22, 1870 to Apr 22, 1900

Examine the extraordinary art of Cezanne and his interest in form, paving the way for Cubism. Understand the differences in emotional expression and subject choices between the Impressionists and the Post-Impressionists.Understand the Post-Impressionist experimentation with form and color.Recognize the individuality of the Post-Impressionist artists and the styles each one developed.* Henri de Toulouse-Lautrec * Georges Seurat * Paul Cézanne * Vincent Van Gogh * Pau

Nini in the Garden (Nini Lopez)

Apr 22, 1875

AUGUSTE RENOIR,
Nini in the Garden (Nini Lopez),
1875-76,
oil on canvas

Le Moulin de la Galette

Apr 22, 1876

PIERRE-AUGUSTE RENOIR, Le Moulin de la Galette, 1876. Oil on canvas

Dans un café or L’absinthe(Ellen Andrée and Marcellin Desboutin)

Apr 22, 1876

EDGAR DEGAS,
Dans un café or L’absinthe
(Ellen Andrée and Marcellin Desboutin),
1876,
oil on canvas

Ballet Dancers on the Stage

Apr 22, 1883

EDGAR DEGAS,
Ballet Dancers on the Stage,
1883,
pastel on paper

A Sunday on La Grande Jatte

Apr 22, 1884

GEORGES SEURAT, A Sunday on La Grande Jatte, 1884–1886. Oil on canvas,

Night Café

Apr 22, 1888

VINCENT VAN GOGH, Night Café, 1888. Oil on canvas

The Apple Seller

Apr 22, 1890

AUGUSTE RENOIR,
The Apple Seller,
c. 1890,
oil on canvas

Avant-Garde

Period: Apr 22, 1900 to Apr 22, 1945

interest in color and in the altering of space
Movemets: FauvismGerman ExpressionismBlaue Reiter/Blue RiderCubism* Analytic Cubism * Synthetic Cubism * Orphism * Purism Futurism

Modernist Sculpture and Architecture

Period: Apr 22, 1900 to Apr 22, 1945

Neoplasticism: “pure plastic art”“To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual…[W]e find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man.”Term: Autonomy

American Art

Period: Apr 22, 1900 to Apr 22, 1945

Movements:
* The Ash Can School/The Eight (painting)
* Pictorialism (photography)
* Straight photography
* New York Dada and other American versions of European avant-garde movements
* Art Deco
* Documentary Photography (WPA/FSA)
* Mexican Muralists Understand issues of rebellion and the depiction of social injustice in art.Recognize that American artists had different goals in their art and these goals affected th* Group f/64 (photography) * Regionalism

Woman with the Hat

Apr 22, 1905

HENRI MATISSE,
Woman with the Hat,
1905.
Oil on canvas

Westminster Bridge

Apr 22, 1906

ANDRE DERAIN, Westminster Bridge, 1906, oil on canvas

The Dance

Apr 22, 1906

ANDRÉ DERAIN, The Dance, 1906. Oil on canvas

Sixth Avenue and Thirtieth Street

Apr 22, 1907

JOHN SLOAN, Sixth Avenue and Thirtieth Street, New York City, 1907, 1909. Oil on canvas

Dance I

Apr 22, 1909

HENRI MATISSE, Dance I, 1909, oil on canvas

Improvisation 28

Apr 22, 1912

VASSILY KANDINSKY, Improvisation 28 (second version), 1912. Oil on canvas

The Blue Window

Apr 22, 1913

HENRI MATISSE,
The Blue Window,
1913,
Oil on canvas

Blue & Green Music

Apr 22, 1921

GEORGIA O’KEEFFE,
Blue & Green Music,
1921,
Oil on canvas

Incense of a New Church

Apr 22, 1921

CHARLES DEMUTH,
Incense of a New Church,
1921,
Oil on canvas

Sword Swallower,from Circus

Apr 22, 1929

ALEXANDER CALDER,
Sword Swallower,
from Circus,
c. 1929, mixed media

Composition with Red,Blue, and Yellow

Apr 22, 1930

Piet Mondrian,
Composition with Red, Blue, and Yellow,
1930,
Oil on canvas

The White Flower

Apr 22, 1932

GEORGIA O’KEEFFE, The White Flower, 1932, oil on canvas

Bird Basket

Apr 22, 1939

HENRY MOORE, Bird Basket, 1939

Lobster Trap and Fish Tail

Apr 22, 1939

ALEXANDER CALDER, Lobster Trap and Fish Tail, 1939. Painted sheet aluminum and steel wire

Oval Sculpture (No. 2)

Apr 22, 1943

BARBARA HEPWORTH, Oval Sculpture (No. 2), 1943. Plaster cast

1945-60's

Period: Apr 23, 1945 to Apr 23, 1960

Minimalist: Examine the formal elements of Minimalism, a predominantly sculptural movement and its emphasis on objecthood.Recall other sculptors, their preferred media, and stylistic features of their workArtists associated with Minimalism:* Donald Judd * Robert Morris * Carl Andre * Dan Flavin * Sol Lewitt * Tony Smith The New York School/
Abstract Expressionism * Jackson Pollock * Lee Krasner * Robert Motherwell * Willem de Kooning * Franz

Painting

Apr 23, 1946

FRANCIS BACON,
Painting,
1946.
Oil and pastel on linen

Autumn Rhythm (Number 30)

Apr 23, 1950

JACKSON POLLOCK, Autumn Rhythm (Number 30), 1950, enamel on canvas

Villas et Jardins

Apr 23, 1957

Jean Dubuffet, Villas et Jardins, 1957, oil on canvas

Blue on White

Apr 23, 1961

ELLSWORTH KELLY,
Blue on White,
1961,
Oil on canvas

installation at Green Gallery

Apr 23, 1964

Robert Morris, installation at Green Gallery (NY), 1964

Untitled

Apr 23, 1966

DONALD JUDD, Untitled, 1966, amber Plexiglas and stainless steel

Marilyn Monroe

Apr 23, 1967

ANDY WARHOL,
Marilyn Monroe,
1967,
Screenprint

1970's

Period: Apr 23, 1970 to Apr 23, 1980

SuperrealismFeminist ArtEarthworksPublic ArtPostmodern Architecture

Postmodernism to present

Period: Apr 23, 1970 to Apr 23, 2012

Examine the elements and issues of Postmodern architecture in its use of classical and colonial formsCharles MoorePhilip Johnson (late work)Michael GravesRobert SternRobert Venturi and Denise Scott BrownRichard Rogers and Renzo PianoNew Urbanism movement

Lipstick Bathroom

Apr 23, 1972

CAMILLE GRAY,
Lipstick Bathroom,
At Womahouse,
1972

Anatomy of a Kimono (section)

Apr 23, 1976

MIRIAM SCHAPIRO, Anatomy of a Kimono (section), 1976. Fabric and acrylic on canvas

Untitled (in Honor ofHarold Joachim)

Apr 23, 1977

DAN FLAVIN,
Untitled (in Honor of
Harold Joachim),
1977

Marilyn

Apr 23, 1977

AUDREY FLACK, Marilyn, 1977. Oil over acrylic on canvas

Untitled Film Still #35

Apr 23, 1979

CINDY SHERMAN,
Untitled Film Still #35,
1979.
Gelatin silver print

Geography Lesson

Apr 23, 1980

JULIAN SCHNABEL,
Geography Lesson,
1980,
Oil on velvet

Untitled (make-up)

Apr 23, 1982

RICHARD PRINCE, Untitled (make-up), 1982-84, Ektacolor print

Under a Rock

Apr 23, 1986

JENNY HOLZER,
Under a Rock,
1986

Pee Body

Apr 23, 1992

Kiki Smith, Pee Body, 1992, wax, pigment

The Crossing

Apr 23, 1996

BILL VIOLA,
The Crossing,
1996.
Video/sound installation with two channels of color video projection onto screens 16high