Task 1 - My timeline

  • The first pernament image

    The first pernament image
    1826: First Permanent Image
    French inventor Joseph Nicéphore Niépce uses a camera obscura to burn a permanent image of the countryside at his Le Gras, France, estate onto a chemical-coated pewter plate. He names his technique "heliography," meaning "sun drawing." The black-and-white exposure takes eight hours and fades significantly, but an image is still visible on the plate today.
  • The first photo of a person

    The first photo of a person
    1839: First Photo of a Person
    In early 1839, French painter and chemist Louis-Jacques-Mandé Daguerre photographs a Paris street scene from his apartment window using a camera obscura and his newly invented daguerreotype process. The long exposure time (several minutes) means moving objects like pedestrians and carriages don't appear in the photo. But an unidentified man who stops for a shoeshine remains still long enough to unwittingly become the first person ever photographed.
  • The first ariel photo

    The first ariel photo
    1858: First Bird's-Eye View
    Felix Tournachon, better known by the nom de plume Nadar, combines his interests— aeronautics, journalism, and photography— and becomes the first to capture an aerial photograph in a tethered balloon over Paris in 1858.
  • The first colour photo

    The first colour photo
    1861: First Color Photo
    The enormously influential Scottish physicist James Clerk Maxwell creates a rudimentary color image by superimposing onto a single screen three black-and-white images each passed through three filters—red, green, and blue. His photo of a multicolored ribbon is the first to prove the efficacy of the three-color method, until then just a theory, and sets the stage for further color innovation, particularly by the Lumißre brothers in France.
  • The first action photo

    The first action photo
    1878: First Action Photos
    English photographer Eadweard Muybridge, using new emulsions that allow nearly instantaneous photography, begins taking photograph sequences that capture animals and humans in motion. His 1878 photo series of a galloping horse, created with 12 cameras each outfitted with a trip wire, helps settle a disagreement over whether at any time in a horse's gait all four hooves leave the ground. (They do.) It also causes a popular stir about the potential of cameras to study mov