-
Period: to
Faure
Publicly spoofed Wagnerian style.
Helped to move away from romanticism -
Period: to
Gauguin
Best representative artist for the visual aspect of primitivism. -
Period: to
Mahler
Maximalist Austrian composer.
5 orchestral song cycles.
10 programmatic symphonies.
Leider.
Chamber music. -
Period: to
Debussy
French impressionist composer and pianist.
Inventor of impressionism. -
Period: to
Strauss
maximalist composer
Symphonic poems.
15 operas.
150 Lieder.
orchestral and stage works.
chamber music.
piano works. -
Period: to
Satie
Leader in new French aesthetics which inspired impressionism. -
Period: to
Schoenberg
Father of 12 tone music.
Teacher of Webern and Berg -
Period: to
Ives
Innovator of atonality. -
Period: to
Ravel
French composer and innovator of pianistic style -
Period: to
Landowska
Widely responsible for the revival of interest in Bach and the harpsichord. -
Period: to
Stravinksy
Best representative composer of the listening aspect of primitivsm, such as the piece Rite of Spring. -
Period: to
Kodaly
Ethnomusicologist.
Created the movable 'do' solfege system -
Period: to
Varese
Wrote non tonal music. Took interest in electronic music and the idea of organized sound -
Period: to
Webern
Known for brevity and clarity.
Uses pointillism -
Period: to
Berg
Composer of atonal and expressive music -
Period: to
Boulanger
Teacher of composers in the 20th century -
Period: to
Undisguised avant-garde
Bold expressions against Romanticism. Spoofing Wagnerian style and trivializing emotional opulence. -
Period: to
Neo-Classicism
Return to the style 18th century music with clarity and objectivity, combined with modern harmony, tonality and timbre. -
Period: to
Primitivism
Art movement which borrowed non-western subjects which were often naive and folk-like. -
Period: to
Dadaism
Movement which favored irrationality and intuition to convey anger against war. This movement forged the way into modernist thinking -
Period: to
Non-Tonal
Style of composition which focused on elements of music other than pitch.
Designed to where there is no "Do."
All notes are equal. -
12 tone technique
The 12 tone technique was created by Schoenberg -
Octet for Winds
Stravinsky.
Premiered in the Paris Opera House on Oct. 18, 1923.
First influential Neo-Classic piece.